THE BEAST MUST DIE (1974) Blu-ray Review

The Beast Must Die (1974) d. Paul Annett (UK) (92 min)

Combining elements of Richard Connell's The Most Dangerous Game and Agatha Christie’s And Then There Were None, James Blish’s short story “There Shall Be No Darkness” is given an blaxploitation horror twist when eccentric millionaire Tom Newcliffe (Calvin Lockhart) invites eight diverse individuals to his island estate for a weekend of hunting… without telling them that they are the quarry in question. Our intrepid adventurer has it in his head that one of his guests is a lycanthrope and is eager to face the supernatural foe face to snarling face. As the hours click by and the moon waxes full, suspects become victims, the game is afoot, and the question on everyone’s lips is, “Who Is The Werewolf?”

THE UNCANNY (1977) Blu-ray Review

The Uncanny (1977) d. Denis Heroux (Canada/UK) (89 min)

From the producing team of Milton Subotsky (purveyor of those awesome early ’70s Amicus anthologies) and Claude Heroux (the man behind such Canuck-horror efforts as Visiting Hours and Of Unknown Origin, as well as David Cronenberg’s The Brood, Scanners, and Videodrome) comes a tolerable triptych of terror tales… or should we say tails? Frantic scribbler Wilbur (Peter Cushing) appears at the door of publisher Frank Richard (Ray Milland) with his latest literary effort: a treatise on how the world is secretly ruled by – wait for it – cats. Yup, Wilbur is convinced that the felines are running the show, and proceeds to unspool several yarns (or balls thereof) as “evidence,” all of which are entertaining enough but without exception overstay their welcome.

THE UNCANNY (1977) movie review

Uncanny, The (1977) (1st viewing) d. Heroux, Denis (Canada/UK)

From the producing team of Milton Subotsky (purveyor of those awesome early 70s Amicus anthologies) and Claude Heroux (the man behind such Canuck-horror efforts as Visiting Hours and Of Unknown Origin, as well as David Cronenberg’s The Brood, Scanners and Videodrome) comes a tolerable triptych of terror tales…or should we say tails? Frantic scribbler Peter Cushing appears at the door of publisher Ray Milland with his latest literary effort: a treatise on how the world is secretly ruled by...wait for it...cats. Yup, Cushing is convinced that the felines are running the show, and proceeds to unspool several yarns (or balls thereof) as “evidence,” all of which are entertaining enough but without exception overstay their welcome.

HORROR HOTEL (1960) movie review

Horror Hotel (aka The City of the Dead) (1960)d. Moxey, John Llewellyn

Three months after Psycho hit cinemas, this effective, fog-drenched Satanist feature pulled a similar magic trick, doing away with one of its main characters halfway through the film. When young co-ed Venetia Stevenson proposes a paper on New England witchcraft, professor Christopher Lee directs her to the small village of Whitewood…where she quickly finds herself a target of the resident coven. Lee is reassuring and menacing in equal measure, but Patricia Jessel deserves equal attention for her riveting dual role as elder witch and reincarnated modern counterpart. American producers Milton Subotsky (who wrote the screen story with George Baxt scripting) and Max Rosenberg’s first horror effort; its success would lead directly to the creation of Amicus Pictures, the challenger to Hammer’s UK horror crown.