DAVID CRONENBERG'S THE BROOD (1979): ALIVE AT 45!!!

THE BROOD (1979) d. David Cronenberg (Canada)

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Canadian writer/director David Cronenberg has become so synonymous with the term “body-horror” that when a project is referred to as being “Cronenbergian,” we actually have an idea of what this might mean. Cronenberg has often said that he does not see disease and mutations as good or bad – they simply are – a viewpoint that shows up time and again in his cinematic output.

THE UNCANNY (1977) Blu-ray Review

The Uncanny (1977) d. Denis Heroux (Canada/UK) (89 min)

From the producing team of Milton Subotsky (purveyor of those awesome early ’70s Amicus anthologies) and Claude Heroux (the man behind such Canuck-horror efforts as Visiting Hours and Of Unknown Origin, as well as David Cronenberg’s The Brood, Scanners, and Videodrome) comes a tolerable triptych of terror tales… or should we say tails? Frantic scribbler Wilbur (Peter Cushing) appears at the door of publisher Frank Richard (Ray Milland) with his latest literary effort: a treatise on how the world is secretly ruled by – wait for it – cats. Yup, Wilbur is convinced that the felines are running the show, and proceeds to unspool several yarns (or balls thereof) as “evidence,” all of which are entertaining enough but without exception overstay their welcome.

THE UNCANNY (1977) movie review

Uncanny, The (1977) (1st viewing) d. Heroux, Denis (Canada/UK)

From the producing team of Milton Subotsky (purveyor of those awesome early 70s Amicus anthologies) and Claude Heroux (the man behind such Canuck-horror efforts as Visiting Hours and Of Unknown Origin, as well as David Cronenberg’s The Brood, Scanners and Videodrome) comes a tolerable triptych of terror tales…or should we say tails? Frantic scribbler Peter Cushing appears at the door of publisher Ray Milland with his latest literary effort: a treatise on how the world is secretly ruled by...wait for it...cats. Yup, Cushing is convinced that the felines are running the show, and proceeds to unspool several yarns (or balls thereof) as “evidence,” all of which are entertaining enough but without exception overstay their welcome.