GRIZZLY, SQUIRM, & FOOD OF THE GODS / 1976 Eco-Horror Triple Feature!

GRIZZLY (1976) d. William Girdler (USA)
SQUIRM (1976) d. Jeff Lieberman (USA)
THE FOOD OF THE GODS (1976) d. Bert I. Gordon (USA)

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In the wake of Steven Spielberg’s Jaws from 1975, drive-ins and hardtop theaters alike were suddenly overrun by creatures with a taste for human flesh. Intrepid and imaginative independent filmmakers proved that almost any member of the animal kingdom could be transformed into a successful box-office menace. Three standout entries from 1976—Grizzly, Squirm, and The Food of the Gods—perfectly capture the exuberant creativity and unapologetic pulp appeal of the Nature Strikes Back Eco-horror boom.

FROM DUSK TILL DAWN (1996) at 30: The Vampire Cult Classic Still Has Teeth!

FROM DUSK TILL DAWN (1996) d. Robert Rodriguez (USA)
FROM DUSK TILL DAWN 2: TEXAS BLOOD MONEY (1999) d. Scott Spiegel (USA)
FROM DUSK TILL DAWN 3: THE HANGMAN'S DAUGHTER (2000) d. P.J. Pesce (USA)
FROM DUSK TILL DAWN: THE SERIES (2014-2016) d. Robert Rodriguez (USA)

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Thirty years ago, From Dusk Till Dawn (1996) kicked open the saloon doors, ordered a round of tequila, and then revealed that everyone in the bar was about to be eaten by vampires. Of course, From Dusk Till Dawn is much more than its famous twist. It's a perfect snapshot of '90s independent filmmaking, bringing together Rodriguez's kinetic, resourceful direction, Tarantino's Fonzie cool dialogue, KNB's outrageous practical effects, and an ensemble cast led by George Clooney, Harvey Keitel, Juliette Lewis, Salma Hayek, and cameos from Michael Parks, John Hawkes, Tom Savini, Cheech Marin, Danny Trejo, and the Hammer himself, Fred Williamson.

THE BEST (AND WORST) SLASHERS OF 1981!! (Part 2 of 2)

BLOODY BIRTHDAY (1981) d. Ed Hunt (USA)
BLOODY MOON (1981) d. Jess Franco (Spain/Germany)
DEADLY BLESSING (1981) d. Wes Craven (USA)
DON'T GO IN THE WOODS (1981) d. James Bryan (USA)
EYES OF A STRANGER (1981) d. Ken Wiederhorn (USA)
FINAL EXAM (1981) d. Jimmy Huston (USA)
GRADUATION DAY (1981) d. Herb Freed (USA)
NIGHT SCHOOL (1981) d. Ken Hughes (USA)
STRANGE BEHAVIOR (1981) d. Michael Laughlin (New Zealand)
STUDENT BODIES (1981) d. Mickey Rose (USA)

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A few months back, we took a deep dive into the slashers of 1981, and now we're back to finish the job! If our first installment focused on future classics and franchise cornerstones, this week's episode explores the stranger, sleazier, and more offbeat corners of the slasher boom.

MARIO BAVA DOUBLE FEATURE: Kill Baby Kill (1966) & A Bay of Blood (1971)

KILL, BABY... KILL! (1966) d. Mario Bava (Italy)
A BAY OF BLOOD (1971) d. Mario Bava (Italy)

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Equal parts conjurer of Gothic nightmares, pioneer of modern cinematic violence, and astonishing visual stylist, Italian filmmaker and horror legend Mario Bava has delivered so many genre high water marks that it’s difficult to keep track. From the black-and-white splendor of Black Sunday to the hypnotic colored gels of Black Sabbath to establishing the hallmarks of the giallo, Bava was constantly innovating and imagining new ways to dazzle and disturb audiences.

HAMMER HORROR 1961: (CURSE OF WEREWOLF, SCREAM OF FEAR, TERROR OF TONGS, SHADOW OF CAT)

THE CURSE OF THE WEREWOLF (1961) d. Terence Fisher (UK)
SCREAM OF FEAR (aka Taste of Fear) (1961) d. Seth Holt (UK)
THE TERROR OF THE TONGS (1961) d. Anthony Bushell (UK)
THE SHADOW OF THE CAT (1961) d. John Gilling (UK)

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While Hammer Films is most often remembered for its Gothic reimaginings of Dracula, Frankenstein, and other classic monsters, the year 1961 showcased an adventurousness and willingness to experiment with different styles of horror and suspense. Our four films up for discussion demonstrate Hammer’s evolving state in the early 1960s to impressive effect.