Fool's Views (6/1 – 6/30)

As we reached the halfway point of 2015, all the good things started coming in twos. Primarily in the form of Shout! Factory’s double dose of double features (already having graced fans with the “animals attack” quartet of The Food of the Gods, Empire of the Ants, Frogs, and Jaws of Satan, as well as the Carrie and Ghoulies two-fers). Not to be outdone, Arrow decided to lay the entire five-film Stray Cat Rock series on us, while a newly resuscitated Artsploitation served up Horsehead, House of 100 Eyes, and Der Samurai in one fell swoop.

In short, there was no rest for the wicked, and it was all we could do to keep up with things, considering we were then juggling Mockingbird performances and an ever-increasing class load in pursuit of my NASM personal training certification. Stamina was definitely the order of the day, with few opportunities to watch anything that wasn’t “assigned.”

The upside to this requisite reviewing is that I get to cut down on the apologizing for this particular installment (although we did finally make time to watch yet another double feature loaned to us back in November by Indy blood brother Craig J. Clark – the only two flicks that I didn’t review… because I didn’t have to).

As always, feel free to leave your two cents worth – we’ll make sure you get some change back.

Enjoy!

AC deals with laptop issues in his usual calm, discreet manner.

HORSEHEAD (2014) Blu-ray Review

Horsehead (2014) d. Romain Basset (France)

Estranged from her mother (Catriona MacColl) for many years, Jessica (Lilly-Fleur Pointeaux) is called home for her grandmother’s wake. The reception is chilly to say the least, made all the more so by the young university student being placed in the room adjacent to her late relative’s corpse, but her current professor and beau sees this as an opportunity to confront some long-standing emotional issues. You see, Jessica hasn’t had a peaceful night’s sleep in many years, haunted by nightmares featuring an enormous, malevolent horse-headed figure bedecked in long robes with clawed digits clutching an enormous papal staff. As a disciple of oneirology – the study of dreams – Jessica has identified the symbolism of her equine phantom as that of a ferryman, poised to travel back and forth between the realm of the living and dead. In slumber, she is now visited by the spirit of her grandmother Rose (Gala Besson), young and frightened, seeking help from the gathering darkness....