PARANORMAL ACTIVITY (2007/09) CELEBRATES 15 YEARS OF TERROR!!!

PARANORMAL ACTIVITY (2007/09) d. Oren Peli (USA)
PARANORMAL ACTIVITY 2 (2010) d. Tod Williams (USA)
PARANORMAL ACTIVITY 3 (2011) d. Henry Joost/Ariel Schulman (USA)
PARANORMAL ACTIVITY 4 (2012) d. Henry Joost/Ariel Schulman (USA)
PARANORMAL ACTIVITY: THE MARKED ONES (2014) d. Christopher Landon (USA)
PARANORMAL ACTIVITY: THE GHOST DIMENSION (2015) d. Gregory Plotkin (USA)

**CLICK TO WATCH FULL YOUTUBE EPISODE**

Paramount’s plucking of this microbudget feature from obscurity and its nimble (some might say omnipresent) word-of-mouth marketing scheme will undoubtedly go down as one of the biggest Cinderella stories in horror history. Shot for a paltry $11,000, writer/editor/producer/director Oren Peli’s first-person account of a young couple plagued by inexplicable happenings in their new suburban home works surprisingly well under its own limitations, or perhaps because of them.

Fool's Views (5/5 – 5/18)

Ah, the joys of summertime...

Howdy folks!

Yeah, yeah, it’s been a while (again) and the reviews below are sporadic (again) and while I’m not entirely okay with it, I kinda gotta be okay with it because time keeps marching on and movies keep getting watched and inspiration and opportunity are fleeting and who wants to hear excuses and apologies when they showed up to hear about the flicks?

Special thanks to David Canfield for his generosity in loaning me several of the selections listed below.

As always, feel free to leave your two cents worth – we’ll make sure you get some change back.

Enjoy!

CHERNOBYL DIARIES (2012) movie review

Chernobyl Diaries (2012) d. Parker, Bradley

First off, it’s worth noting that despite titular indication and Paranormal Activity’s Oren Peli on board as a co-writer/producer, this is not another entry in the “found footage” sweepstakes. Granted, there are some instances of cell phone recordings illustrating previous offscreen scenes’ mayhem, but for the most part this is a straightforward narrative about a group of college grads concluding their whirlwind European tour with a trip to Kiev; within said stop, they swap out their Moscow plans for an “extreme tourism” excursion into Pripyat, the neighboring town of ill-fated Chernobyl, the real-life epicenter of a nuclear reactor meltdown in 1986.

Parker develops an impressive atmosphere of gloom and desolation amidst the deserted – and still radioactive – town, as well as some engaging sequences of attack and retreat by unidentified, and perhaps supernatural, antagonists. Instead, it’s the three-headed screenplay (Peli, Carey Van Dyke, Shane Van Dyke) that proves the weak link, failing to deliver a satisfying “why” to the strange occurrences. The result is a series of creepy boo scares that lack resonance, dissipating within the cold light of cinema lobby hindsight and reflection.