PSYCHO (1960) d. Alfred Hitchcock (USA)
PSYCHO II (1983) d. Richard Franklin (USA)
PSYCHO III (1986) d. Anthony Perkins (USA)
PSYCHO IV: THE BEGINNING (1990) d. Mick Garris (USA)
PSYCHO (1998) d. Gus Van Sant (USA)
Alfred Hitchcock's Psycho is not just a film; it’s an institution in the world of cinema, one that redefined the horror genre forever. Based on Robert Bloch’s 1959 novel, audiences were introduced to Norman Bates (Anthony Perkins), a seemingly mild-mannered motel owner with a dark and twisted secret. The film's groundbreaking narrative, shocking twists, and chilling atmosphere have influenced filmmakers for decades.
Showing posts with label Olivia Hussey. Show all posts
Showing posts with label Olivia Hussey. Show all posts
Friday, February 14, 2025
Friday, December 20, 2024
BLACK CHRISTMAS (1974) AT 50 / SILENT NIGHT DEADLY NIGHT (1984) AT 40!!!
BLACK CHRISTMAS (1974) d. Bob Clark (Canada)
SILENT NIGHT DEADLY NIGHT (1984) d. Charles Sellier (USA)
It's time to celebrate the Happy HorrorDays with two Christmas classics, both of which are celebrating milestone anniversaries!
Director Bob Clark’s effective (and underrated) holiday thriller BLACK CHRISTMAS (full review HERE) pre-dates the slasher film craze and its influence is felt in Halloween, When a Stranger Calls, and countless others.
SILENT NIGHT DEADLY NIGHT (1984) d. Charles Sellier (USA)
It's time to celebrate the Happy HorrorDays with two Christmas classics, both of which are celebrating milestone anniversaries!
Director Bob Clark’s effective (and underrated) holiday thriller BLACK CHRISTMAS (full review HERE) pre-dates the slasher film craze and its influence is felt in Halloween, When a Stranger Calls, and countless others.
Friday, May 31, 2013
BLACK CHRISTMAS (1974) movie review
Black Christmas (1974) d. Clark, Bob (Canada)
Director Bob Clark’s effective (and underrated) holiday thriller pre-dates the slasher film craze and its influence is felt in Halloween, When a Stranger Calls, and countless others. The simple set-up involves a college sorority house and an (unseen) homicidal killer, heightened by some of the most chilling and unsettling obscene phone calls ever recorded. Utilizing extensive handheld camerawork, this is also among the first usage of the “heavy-breathing killer’s point-of-view” shots that would become a staple of the slasher oeuvre.
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