Showing posts with label Julianne Moore. Show all posts
Showing posts with label Julianne Moore. Show all posts
Sunday, October 25, 2020
TALES FROM THE DARKSIDE: THE MOVIE (1990) Blu-ray Review
SCARE-A-THON Totals to Date:
Total Movies Watched: 24
Total First Time Views: 13
Amount raised for BOXVILLE: $1,836.18
Tales from the Darkside: The Movie (1990) d. John Harrison (USA) (93 min) (3rd viewing)
Betty (Blondie's Deborah Harry), an attractive, chipper, middle-aged suburbanite, is making preparations for a dinner party. On the menu: the paperboy Timmy (Matthew Lawrence), who is none too wild about being selected as the main dish. In an effort to keep his host distracted and stave off his time in the roaster pan, the lad reads selections from a collection of stories, entrancing her with tales of mummies and grad students and not-so-dead scrolls, crippled millionaires and hit men and vengeful felines, gargoyles and artists and promises made in the dark….
Saturday, April 6, 2019
PSYCHO (1998) Blu-ray review
Psycho (1998) d. Gus Van Sant (USA) (104 min)
Having embezzled a large sum of money from the bank where she works, Marion Crane (Anne Heche) takes refuge at a motel operated by Norman Bates (Vince Vaughn), a troubled man whose victims encounter a grisly fate at the hands of his mother. Marion’s disappearance prompts inquiries from her sister (Julianne Moore) and a private investigator (William H. Macy), who both discover the terrifying truth kept hidden within the Bates Motel.
Monday, November 18, 2013
CARRIE (2013) movie review
Carrie (2013) d. Peirce, Kimberly (USA)
The tagline, “You will know her name” speaks to the very problem inherent to revisiting such iconic material: We already do know Stephen King’s seminal telekinetic protagonist’s name, and she has already been immortalized in an Oscar-nominated turn by Sissy Spacek as directed by a near-the-top-of-his-game Brian De Palma. Even if viewers have never seen the full feature, they’ve seen the highlight reel. But the post-millennial remake trend continues, and despite director Peirce and screenwriters Lawrence D. Cohen and Roberto Aguirre’s best efforts to the contrary, the results are redundant at best and tiresome at their worst.
Subscribe to:
Posts (Atom)






