HAMMER HORROR 1961: (CURSE OF WEREWOLF, SCREAM OF FEAR, TERROR OF TONGS, SHADOW OF CAT)

THE CURSE OF THE WEREWOLF (1961) d. Terence Fisher (UK)
SCREAM OF FEAR (aka Taste of Fear) (1961) d. Seth Holt (UK)
THE TERROR OF THE TONGS (1961) d. Anthony Bushell (UK)
THE SHADOW OF THE CAT (1961) d. John Gilling (UK)

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While Hammer Films is most often remembered for its Gothic reimaginings of Dracula, Frankenstein, and other classic monsters, the year 1961 showcased an adventurousness and willingness to experiment with different styles of horror and suspense. Our four films up for discussion demonstrate Hammer’s evolving state in the early 1960s to impressive effect.

THE CURSE OF FRANKENSTEIN (1957) 4K Blu-ray Review

The Curse of Frankenstein (1957) d. Terence Fisher (UK)

Victor Frankenstein (Peter Cushing), imprisoned and awaiting judgment, recounts to the local priest the dark path that led him to his fate. A brilliant, driven, amoral young scientist, Victor is obsessed with mastering life and death. With the reluctant assistance of his former mentor Paul (Robert Urquhart), he assembles a living creature from stolen body parts, convinced he is on the verge of a world-changing breakthrough. As Victor’s quest comes closer to fruition, his fiancée Elizabeth (Hazel Court) senses a disturbing shift in him, while the duplicitous maid Justine (Valerie Gaunt) grows increasingly frustrated with Victor’s waning attentions. Paul desperately tries to pull Victor back from the brink, but the reanimated being (Christopher Lee) proves far more dangerous and unpredictable than anyone could have expected.

HAMMER IN 1960: BRIDES OF DRACULA, TWO FACES OF DR. JEKYLL, HELL IS A CITY, AND MORE!!

BRIDES OF DRACULA (1960) d. Terence Fisher (UK)
THE TWO FACES OF DR. JEKYLL (1960) d. Terence Fisher (UK)
NEVER TAKE SWEETS FROM A STRANGER (1960) d. Cyril Frankel (UK)
HELL IS A CITY (1960) d. Val Guest (UK)

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Celebrated for its distinctive brand of horror and suspense, Hammer Films has left an indelible mark on British cinema and influencing filmmakers around the world. The year 1960 was especially significant for Hammer, as it was a time when the studio was solidifying its identity as a horror juggernaut, but also experimenting with genres, and pushing the boundaries of storytelling, atmosphere, and visual style. Tonight, we’ll focus on four films from that year: Brides of Dracula, The Two Faces of Dr. Jekyll, Never Take Sweets from a Stranger, and Hell is a City. Each representing a different facet of Hammer’s evolving approach, from Gothic horror and psychological thrillers to socially conscious drama and gritty crime narratives.

UNWRAPPING THE MUMMY!!! (1932, 1959, 1999)

THE MUMMY (1932) d. Karl Freund (USA)
THE MUMMY (1959) d. Terence Fisher (UK)
THE MUMMY (1999) d. Stephen Sommers (USA)

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One of the most enduring classic horror archetypes, The Mummy has appeared on film almost since the inception of cinema, with numerous silent efforts preceding Universal's landmark production in 1932 starring Boris Karloff.

HAMMER HORROR: THE GORGON (1964) / THE REPTILE (1966) Round Table!!!

THE GORGON (1964) d. Terence Fisher (UK)
THE REPTILE (1966) d. John Gilling (UK)

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By the mid-1960s, Hammer Studios had exhausted its supply of classic Universal monsters, with vampiric counts, stitched-together reanimated corpses, lycanthropic curses, and bandaged Egyptian shamblers all present and accounted for. In response, the creative teams dug out their tomes of Greek mythology and exotic travel guides to conjure two original monsters, both – coincidentally or not – featuring female creatures levying doom on the locals.

PETER CUSHING AND THE HAMMER FRANKENSTEINS!!!

THE CURSE OF FRANKENSTEIN (1957) d. Terence Fisher (UK)
THE REVENGE OF FRANKENSTEIN (1958) d. Terence Fisher (UK)
THE EVIL OF FRANKENSTEIN (1964) d. Freddie Francis (UK)
FRANKENSTEIN CREATED WOMAN (1967) d. Terence Fisher (UK)
FRANKENSTEIN MUST BE DESTROYED (1969) d. Terence Fisher (UK)
FRANKENSTEIN AND THE MONSTER FROM HELL (1974) d. Terence Fisher (UK)

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With over 130 film and television credits to his name, there are plenty of options by which fans can celebrate horror icon Peter Cushing’s 111th birthday on May 26. For our part, we’ve elected to showcase the half-dozen features that made Cushing (and his myriad onscreen creations) immortal: Hammer’s Frankenstein series!

THE MUMMY (1959) Blu-ray Review

The Mummy (1959) d. Terence Fisher (UK) (86 min)

In 1895, archaeologists Stephen Banning (Felix Aylmer) and his brother-in-law Joseph Whemple (Raymond Huntley) unearth the opening of Egyptian princess Ananka’s tomb, much to the excitement of Banning’s son John (Peter Cushing), who is laid up with a broken leg but refuses to leave the site until his father breaks the seal. A local follower of the god Karnak, Mehemet (George Pastell), cautions the Westerners with a dire warning: “Whomever disturbs the tombs of Egypt… dies.” They shrug him off, but within moments, Banning is rendered a gibbering idiot after his encounter with… something. Three years later, ensconced in a mental hospital, he emerges from his stupor long enough to warn his son that the curse of Ananka is real, and is shortly thereafter dispatched by the murderous hands of the princess’ guardian mummy, former high priest, and forbidden lover Kharis (Christopher Lee), resurrected by Mehemet. Whemple is next on the bandaged assassin’s hit list, followed by John, although the latter escapes his fate when his wife Isobel (Yvonne Furneaux) distracts Kharis with her striking resemblance to Ananka, awakening a centuries-old fire in its dessicated breast….

THE GORGON (1964) Movie Review

Scare-A-Thon Totals to Date:

Total Movies Watched: 12
Total First Time Views: 7
Amount raised for ALBANY PARK THEATER PROJECT: $583.80

The Gorgon (1964) d. Terence Fisher (UK) (83 min) (3rd viewing)

A series of strange and unexplained deaths plagues the rural town of Vandorf in the early 1900s, the latest victim being Sascha Cass (Toni Gilpin), lover of local artist Bruno Heitz (Jeremy Longhurst) (as in she is carrying his child, although I’m sure she’s fond of his painting as well). What makes the beautiful model’s demise so curious is she has been literally petrified to death, i.e. discovered having turned completely to stone. Inspector Karnoff (Patrick Troughton) conspires with Dr. Namaroff (Peter Cushing) and his assistant Carla (Barbara Shelley) to cover up the mystery, but when Bruno’s body is found in the forest hanging by the neck, the collective attentions of his professor father (Michael Goodliffe) and brother Paul (Richard Pasco) are raised, along with Paul’s colleague Professor Meister (Christopher Lee). In this dawning age of science and logic, could the spirit of Megaera, an ancient snake-haired monster of legend, be the culprit?

THE PHANTOM OF THE OPERA (1962) Blu-ray Review

The Phantom of the Opera (1962) d. Terence Fisher (UK) (84 min)

When tragedy strikes Lord D’Arcy’s (Michael Gough) London opera house during an opening night performance, it’s soon clear that the “accident” is the work of a deranged madman – The Phantom (Herbert Lom). After Christine (Heather Sears), cast as the lead in this new version of Saint Joan, is contacted by the shadowy specter, her producer/lover (Edward De Souza) investigates, tracking the ghostly Phantom to his secret underground lair. Disfigured and nearly destroyed, the former composer and musician now demands hellish revenge on those who have wronged him, with Christine, the sole glimmer of light in his dark, violent life.

THE CURSE OF THE WEREWOLF (1961) Blu-ray Review

The Curse of the Werewolf (1961) d. Terence Fisher (UK) (93 min)

Set in 18th Century Spain, this (very) loose reworking of Guy Endore’s 1933 novel The Werewolf of Paris sees a ragged beggar (Richard Wordsworth) entering the disenchanted village of Santa Vera where a corrupt nobleman, the aptly named Marques Sinestro (Anthony Dawson), holds sway. In “service” for his supper, the Marques has the hapless homeless bark and crawl about like a dog before being imprisoned and forgotten by everyone except the jailer and his mute daughter (Yvonne Romain). 10 years of isolation drive the poor soul out of his mind such that, when the jailer’s daughter is thrown into his cell for refusing the lecherous Marques’ advances, he rapes her and promptly dies. Upon her release, the young victim murders the evil lord before escaping into the countryside, where she is discovered, pregnant and on the brink of death, by a kindly aristocrat, Don Alfredo (Clifford Evans). Her offspring, dubbed Leon (Oliver Reed), is raised by Don Alfredo to manhood where it is revealed that his unfortunate family tree and birth date (Christmas) have cursed him with bestial leanings whenever the moon is full and lust is on the rise….

THE DEVIL RIDES OUT (1968) Blu-ray Review

Scare-A-Thon Totals to Date:

Total Movies Watched: 20
Total First Time Views: 9
Amount raised for AMAZON WATCH: $1,595.20

The Devil Rides Out (aka The Devil's Bride) (1968) d. Terence Fisher (UK) (95 min) (3rd viewing)

The debonair Duc de Richleau (Christopher Lee) has been entrusted with the care of his deceased friend's son, Simon Aron (Patrick Mower). The Duc discovers that the young man has been seduced into joining a satanic cult headed by the diabolic Mocata (Charles Gray), who is intent on making Simon and the lovely Tanith Carlisle (Nike Arrighi) card-carrying disciples of the Devil. Having rescued Simon from a bloodied ritual with the aid of his friend Rex (Leon Greene), de Richleau is pursued by Mocata, who will stop at nothing to destroy the Duc and his friends, even summoning the Angel of Death itself.

DRACULA: PRINCE OF DARKNESS (1966) Blu-ray review

Dracula: Prince of Darkness (1966) d. Terence Fisher (UK) (90 min)

Following the triumph of Horror of Dracula, Christopher Lee avoided donning the fangs again for fear of typecasting (witness Bela Lugosi). He was eventually lured back into the cowl eight years (and a pile of guilt and cash) later for this rather predictable tale of two vacationing English couples (Francis Matthews, Suzan Farmer, Charles Tingwell, Barbara Shelley) who wander into the Count’s almost-but-not-quite deserted castle in search of a good stake dinner.

THE HOUND OF THE BASKERVILLES (1959) movie review

Hound of the Baskervilles, The (1959) d. Fisher, Terence (UK)

Riding the success of their remakes of Frankenstein and Dracula, Hammer Studios seized upon another opportunity to breathe Technicolor life into a cinematic/literary icon: Sherlock Holmes. Peter Cushing dons the deerstalker with the same intelligent, dedicated authority of his Baron and Van Helsing characters, with Andre Morell’s Watson a decidedly less buffoonish take than Nigel Bruce’s incarnation in the 1930s-40s Basil Rathbone series.

FOUR SIDED TRIANGLE (1953) movie review

Four Sided Triangle (1953) d. Fisher, Terence (UK)

Surprisingly underrated pre-Quatermass Xperiment sci-fi effort from Hammer and its most prolific director concerns itself with two young scientists (Stephen Murray, John Van Eyssen) who collaborate on a fantastic new invention – a device that can replicate simply anything. (I absolutely loved the simplicity of this fanciful notion, hearkening back to a more innocent era of sci-fi when you could chalk up pretty much anything to this mystical thing called SCIENCE.) This astonishing innovation also provides an interesting solution to an ancillary problem between the two brainiacs: they're in love with the same woman (Barbara Payton). With her affections blowing Van Eyssen's way, Murray decides to reproduce his l'amour, which his succeeds in doing… with unexpected side effects. Certainly a trifle, but interesting enough to merit your attention. (If Van Eyssen seems familiar, it's probably from his turn as Jonathan Harker in 1958'S Horror of Dracula.)