Showing posts with label Patrick Troughton. Show all posts
Showing posts with label Patrick Troughton. Show all posts

Friday, June 5, 2026

Celebrating 50 Years of THE OMEN (1976): “It's All for You, Damien!”

THE OMEN (1976) d. Richard Donner (USA)
DAMIEN: OMEN II (1978) d. Don Taylor (USA)
THE FINAL CONFLICT (1981) d. Graham Baker (USA)
OMEN IV: THE AWAKENING (1991) d. Jorge Montesi/Dominique Othenin-Girard (USA)
THE OMEN (2006) d. John Moore (USA)
THE FIRST OMEN (2024) d. Arkasha Stevenson (USA)




The success of William Friedkin’s The Exorcist in 1973 sparked any number of cheapie imitations, spawning an entire subgenre of occult and possession-themed features. What sets The Omen apart from these is screenwriter David Seltzer and director Richard Donner’s thoughtful adherence to a rigid universe of logic and plausibility; all of the bizarre tragedies surrounding the Thorns could be justified as pure coincidence and/or freak accidents, without any supernatural leanings. This grounding in reality, further anchored by Peck’s stolid presence, turned what could have been a schlocky exercise in exploitation into a prestige picture that demanded attention and (occasionally grudging) respect.

Wednesday, October 13, 2021

THE GORGON (1964) Movie Review



Scare-A-Thon Totals to Date:

Total Movies Watched: 12
Total First Time Views: 7
Amount raised for ALBANY PARK THEATER PROJECT: $583.80

The Gorgon (1964) d. Terence Fisher (UK) (83 min) (3rd viewing)

A series of strange and unexplained deaths plagues the rural town of Vandorf in the early 1900s, the latest victim being Sascha Cass (Toni Gilpin), lover of local artist Bruno Heitz (Jeremy Longhurst) (as in she is carrying his child, although I’m sure she’s fond of his painting as well). What makes the beautiful model’s demise so curious is she has been literally petrified to death, i.e. discovered having turned completely to stone. Inspector Karnoff (Patrick Troughton) conspires with Dr. Namaroff (Peter Cushing) and his assistant Carla (Barbara Shelley) to cover up the mystery, but when Bruno’s body is found in the forest hanging by the neck, the collective attentions of his professor father (Michael Goodliffe) and brother Paul (Richard Pasco) are raised, along with Paul’s colleague Professor Meister (Christopher Lee). In this dawning age of science and logic, could the spirit of Megaera, an ancient snake-haired monster of legend, be the culprit?

Saturday, October 26, 2019

THE OMEN (1976) Blu-ray Review



Scare-A-Thon Totals to Date:

Total Movies Watched: 24
Total First Time Views: 11
Amount raised for AMAZON WATCH: $1,986.48

The Omen (1976) d. Richard Donner (111 min) (5th viewing)

While stationed in Italy, influential American diplomat Robert Thorn (Gregory Peck) receives the tragic news that the child born to his wife Katherine (Lee Remick) has died during childbirth. However, the kindly Father Spilletto (Martin Benson) suggests that the grieving father secretly adopt another baby – born the same night – and raise it up as his own. Five years later, Robert has been appointed U.S. Ambassador to England, he and Katherine are happy, and their son Damien (Harvey Stephens) is healthy and thriving. But following a series of strange, fatal accidents, Robert is compelled to investigate the circumstances surrounding Damien’s birth and, with the help of independent photojournalist Keith Jennings (David Warner), comes to believe that his son may in fact be the offspring of the Devil Himself.


Saturday, August 31, 2019

SCARS OF DRACULA (1970) Blu-ray Review



Scars of Dracula (1970) d. Roy Ward Baker (UK) (95 min)

Having already appeared in Taste the Blood of Dracula for Hammer and Count Dracula for Jess Franco, Christopher Lee wrapped up his exceedingly busy year (10 films!) with yet another toothy offering, but it seemed clear to anyone paying attention that the main vein was running dry. With “modern” horror on the rise, exemplified by the successes of Rosemary’s Baby and Night of the Living Dead (both 1968), audiences seemed more interested in seeing their scares in a contemporary setting. And, as far as the pure exploitation elements (i.e. female flesh and Technicolor blood) that the studio had made its trademark since the late 1950s, Hammer was already beating itself at its own game with the lesbian vampire hit The Vampire Lovers (also directed by Baker), released a couple months earlier.