Showing posts with label Oliver Reed. Show all posts
Showing posts with label Oliver Reed. Show all posts

Friday, July 3, 2026

HAMMER HORROR 1961: (CURSE OF WEREWOLF, SCREAM OF FEAR, TERROR OF TONGS, SHADOW OF CAT)

THE CURSE OF THE WEREWOLF (1961) d. Terence Fisher (UK)
SCREAM OF FEAR (aka Taste of Fear) (1961) d. Seth Holt (UK)
THE TERROR OF THE TONGS (1961) d. Anthony Bushell (UK)
THE SHADOW OF THE CAT (1961) d. John Gilling (UK)




While Hammer Films is most often remembered for its Gothic reimaginings of Dracula, Frankenstein, and other classic monsters, the year 1961 showcased an adventurousness and willingness to experiment with different styles of horror and suspense. Our four films up for discussion demonstrate Hammer’s evolving state in the early 1960s to impressive effect.

Friday, May 3, 2024

DAVID CRONENBERG'S THE BROOD (1979): ALIVE AT 45!!!

THE BROOD (1979) d. David Cronenberg (Canada)




Canadian writer/director David Cronenberg has become so synonymous with the term “body-horror” that when a project is referred to as being “Cronenbergian,” we actually have an idea of what this might mean. Cronenberg has often said that he does not see disease and mutations as good or bad – they simply are – a viewpoint that shows up time and again in his cinematic output.

Saturday, May 23, 2020

THE CURSE OF THE WEREWOLF (1961) Blu-ray Review



The Curse of the Werewolf (1961) d. Terence Fisher (UK) (93 min)

Set in 18th Century Spain, this (very) loose reworking of Guy Endore’s 1933 novel The Werewolf of Paris sees a ragged beggar (Richard Wordsworth) entering the disenchanted village of Santa Vera where a corrupt nobleman, the aptly named Marques Sinestro (Anthony Dawson), holds sway. In “service” for his supper, the Marques has the hapless homeless bark and crawl about like a dog before being imprisoned and forgotten by everyone except the jailer and his mute daughter (Yvonne Romain). 10 years of isolation drive the poor soul out of his mind such that, when the jailer’s daughter is thrown into his cell for refusing the lecherous Marques’ advances, he rapes her and promptly dies. Upon her release, the young victim murders the evil lord before escaping into the countryside, where she is discovered, pregnant and on the brink of death, by a kindly aristocrat, Don Alfredo (Clifford Evans). Her offspring, dubbed Leon (Oliver Reed), is raised by Don Alfredo to manhood where it is revealed that his unfortunate family tree and birth date (Christmas) have cursed him with bestial leanings whenever the moon is full and lust is on the rise….


Saturday, March 1, 2014

BURNT OFFERINGS (1976) movie review



Burnt Offerings (1976) d. Dan Curtis (USA)

With their young son (Ben's Lee Harcourt Montgomery) in tow, Karen Black and Oliver Reed (irretrievably miscast as a “normal” couple) rent a country mansion for the summer and soon become entangled in mysterious goings-on. Predictably directed by TV vet Curtis (Trilogy of Terror) with every surprise telegraphed by Bob Cobert's agonizingly familiar woodwind score, this criminally inert entry in the haunted house pantheon is boring to the point of catatonia.