Friday, November 14, 2025

HAMMER IN 1960: BRIDES OF DRACULA, TWO FACES OF DR. JEKYLL, HELL IS A CITY, AND MORE!!

BRIDES OF DRACULA (1960) d. Terence Fisher (UK)
THE TWO FACES OF DR. JEKYLL (1960) d. Terence Fisher (UK)
NEVER TAKE SWEETS FROM A STRANGER (1960) d. Cyril Frankel (UK)
HELL IS A CITY (1960) d. Val Guest (UK)




Celebrated for its distinctive brand of horror and suspense, Hammer Films has left an indelible mark on British cinema and influencing filmmakers around the world. The year 1960 was especially significant for Hammer, as it was a time when the studio was solidifying its identity as a horror juggernaut, but also experimenting with genres, and pushing the boundaries of storytelling, atmosphere, and visual style. Tonight, we’ll focus on four films from that year: Brides of Dracula, The Two Faces of Dr. Jekyll, Never Take Sweets from a Stranger, and Hell is a City. Each representing a different facet of Hammer’s evolving approach, from Gothic horror and psychological thrillers to socially conscious drama and gritty crime narratives.

Brides of Dracula, directed by Terence Fisher, continues Hammer’s celebrated Gothic tradition, building on the success of 1958’s Horror of Dracula while introducing new characters and twists on classic vampire lore. In his second go-round as Van Helsing, Peter Cushing lends his commanding presence to the proceedings, with Martita Hunt, Freda Jackson, Yvonne Monlaur, and David Peel providing excellent support.


The Two Faces of Dr. Jekyll, also directed by Fisher, tackles the classic Robert Lewis Stevenson tale through a different lens, examining the duality and moral complexities of human nature. Esteemed actor Paul Massie inhabits the dual role, with Dawn Adams and Christopher Lee delivering top-drawer performances as Jekyll’s wife and friend, respectively.


With Never Take Sweets from a Stranger, directed by Cyril Frankel, Hammer courageously ventured into social critique, confronting disturbing real-world issues with unflinching honesty. Freddie Francis’ energetic cinematography heightens the tension, with compelling performances from a stellar ensemble of players.


Finally, Hell is a City, directed by Val Guest, highlights the studio’s versatility, delivering a superbly wrought crime drama that reflects the gritty realism of post-war Britain. The brisk pacing, sharp dialogue, and stark urban cinematography immerse viewers in a morally ambiguous world, anchored by Stanley Baker’s gritty portrayal of a Manchester detective navigating the murky waters of his job and personal life.


Whether you’re a lifelong Hammer fan or just tipping your toes in the water, 1960’s efforts deliver thrills, chills, thoughtful examinations of the human condition, and superb filmmaking craftsmanship. So dim the lights, cue the thunder, and let’s step once more into the world of Hammer, perhaps as you’ve never seen it before.


Join AC and his incredible panel of guests (Troy Howarth, Stan Hyde, Barry Kaufman, Lin Morris, Freddie Young) as we look back at HAMMER IN 1960!!



BRIDES OF DRACULA













THE TWO FACES OF DR. JEKYLL

















NEVER TAKE SWEETS FROM A STRANGER















HELL IS A CITY












**If you enjoyed this episode, make sure to SUBSCRIBE and click the NOTIFICATION BELL for the H101wDrAC channel - you won't want to miss what we have coming up next!**


Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

No comments:

Post a Comment