Greetings, my allies in autumnal adulation! It’s that time of year again, when tricks and treats trade beats with greets on the streets....
It’s time for SCARE-A-THON 2024.
Monday, September 30, 2024
Friday, September 27, 2024
CELEBRATING 20 YEARS OF SAW (2004)!!!
SAW (2004) d. James Wan (USA)
SAW II (2005) d. Darren Lynn Bousman (USA)
SAW III (2006) d. Darren Lynn Bousman (USA)
SAW IV (2007) d. Darren Lynn Bousman (USA)
SAW V (2008) d. David Hackl (USA)
SAW VI (2009) d. Kevin Greutert (USA)
SAW 3D (2010) d. Kevin Greutert (USA)
JIGSAW (2017) d. Michael Spierig / Peter Spierig (USA)
SPIRAL (2021) d. Darren Lynn Bousman (USA)
SAW X (2023) d. Kevin Greutert (USA)
Before there was “The Saw Franchise,” there was just SAW (full DVD review HERE), a relatively low-budget thriller from a pair of Australian horror kids who wanted to make a good impression. Strapped for cash but no shortage of imagination, the duo of actor/screenwriter Leigh Whannell and director James Wan whipped up a short-film scenario that could take place in a single room. The movie, shot in a mere 18 days, exploded at the box office in October 2004 to become one of the most profitable horror features of all time, much to the surprise of its participants and creators. The rest, as they say, is history.
SAW II (2005) d. Darren Lynn Bousman (USA)
SAW III (2006) d. Darren Lynn Bousman (USA)
SAW IV (2007) d. Darren Lynn Bousman (USA)
SAW V (2008) d. David Hackl (USA)
SAW VI (2009) d. Kevin Greutert (USA)
SAW 3D (2010) d. Kevin Greutert (USA)
JIGSAW (2017) d. Michael Spierig / Peter Spierig (USA)
SPIRAL (2021) d. Darren Lynn Bousman (USA)
SAW X (2023) d. Kevin Greutert (USA)
Before there was “The Saw Franchise,” there was just SAW (full DVD review HERE), a relatively low-budget thriller from a pair of Australian horror kids who wanted to make a good impression. Strapped for cash but no shortage of imagination, the duo of actor/screenwriter Leigh Whannell and director James Wan whipped up a short-film scenario that could take place in a single room. The movie, shot in a mere 18 days, exploded at the box office in October 2004 to become one of the most profitable horror features of all time, much to the surprise of its participants and creators. The rest, as they say, is history.
Friday, September 20, 2024
SHATTER DEAD (1994): SOV ZOMBIES... WITH REAL BRAINS!!!
SHATTER DEAD (1994) d. Scooter McCrae (USA)
When the Angel of Death impregnates a mortal woman, people stop being able to die. Instead, they linger endlessly on this mortal coil, not hungry for human flesh or brains, but simply for a place in a world that has no place for them. They walk, they speak, they have preferences and ideals, and their numbers are growing every day. As the living human population dwindles, the line begins to blur as to which is considered the dominant race and who are the monstrous aberrations.
When the Angel of Death impregnates a mortal woman, people stop being able to die. Instead, they linger endlessly on this mortal coil, not hungry for human flesh or brains, but simply for a place in a world that has no place for them. They walk, they speak, they have preferences and ideals, and their numbers are growing every day. As the living human population dwindles, the line begins to blur as to which is considered the dominant race and who are the monstrous aberrations.
Friday, September 13, 2024
FRIDAY THE 13TH: THE FINAL CHAPTER (1984) ROUND TABLE!!!
FRIDAY THE 13TH: THE FINAL CHAPTER (1984) d. Joseph Zito (USA)
One of the most influential modern horror films, 1980’s surprise hit from producer/director Sean S. Cunningham, Friday the 13th, spurred a spate of sequels and imitators, launching an entirely new genre: the American slasher film. Unlike its most immediate influence, Halloween, where emphasis was placed on spine-tingling suspense punctuated by scenes of violence, here the body count was everything and audiences flocked to witness the mayhem.
One of the most influential modern horror films, 1980’s surprise hit from producer/director Sean S. Cunningham, Friday the 13th, spurred a spate of sequels and imitators, launching an entirely new genre: the American slasher film. Unlike its most immediate influence, Halloween, where emphasis was placed on spine-tingling suspense punctuated by scenes of violence, here the body count was everything and audiences flocked to witness the mayhem.
Friday, September 6, 2024
GODZILLA REBORN: GODZILLA (2014) / GODZILLA MINUS ONE (2023) ROUND TABLE!!!
GODZILLA (2014) d. Gareth Edwards (USA)
GODZILLA MINUS ONE (2023) d. Takashi Yamazaki (Japan)
Join AC and his awesome panel of guests (Dan Caffrey, Barry Kaufman, Michelle Kisner, Mark Matzke, Lee Price) for the second half of our special TWO-PART EPISODE celebrating 70 years of Godzilla!
GODZILLA MINUS ONE (2023) d. Takashi Yamazaki (Japan)
Join AC and his awesome panel of guests (Dan Caffrey, Barry Kaufman, Michelle Kisner, Mark Matzke, Lee Price) for the second half of our special TWO-PART EPISODE celebrating 70 years of Godzilla!
Friday, August 30, 2024
GODZILLA REBORN: GOJIRA (1954) / SHIN GODZILLA (2016) ROUND TABLE!!!
GOJIRA (aka GODZILLA) (1954) d. Ishiro Honda (Japan)
GODZILLA, KING OF THE MONSTERS (1956) d. Ishiro Honda/Terry Morse (Japan/USA)
SHIN GODZILLA (2016) d. Hideaki Anno (Japan)
It’s impossible to approach this episode’s subject with any objectivity, so I’m not even going to try. My childhood infatuation with this Tokyo-stomping behemoth first piqued an interest in monster movies, from which my passion for horror cinema followed. Granted, my gateway encounter was a far cry from the dark and imposing figure introduced to Japanese audiences in 1954 – by the time I met Godzilla in the mid-’70s, he had evolved into a rambunctious, bellowing, drop-kicking superhero, defending humankind from the evils of pollution, alien interlopers and the like.
GODZILLA, KING OF THE MONSTERS (1956) d. Ishiro Honda/Terry Morse (Japan/USA)
SHIN GODZILLA (2016) d. Hideaki Anno (Japan)
It’s impossible to approach this episode’s subject with any objectivity, so I’m not even going to try. My childhood infatuation with this Tokyo-stomping behemoth first piqued an interest in monster movies, from which my passion for horror cinema followed. Granted, my gateway encounter was a far cry from the dark and imposing figure introduced to Japanese audiences in 1954 – by the time I met Godzilla in the mid-’70s, he had evolved into a rambunctious, bellowing, drop-kicking superhero, defending humankind from the evils of pollution, alien interlopers and the like.
Friday, August 23, 2024
40 YEARS OF THE TOXIC AVENGER (1984)!!!
THE TOXIC AVENGER (1984) d. Lloyd Kaufman/Michael Herz (USA)
THE TOXIC AVENGER PART II (1989) d. Lloyd Kaufman/Michael Herz (USA)
THE TOXIC AVENGER III: THE LAST TEMPTATION OF TOXIE (1989) d. Lloyd Kaufman/Michael Herz (USA)
CITIZEN TOXIE: THE TOXIC AVENGER IV (2001) d. Lloyd Kaufman (USA)
THE TOXIC AVENGER PART II (1989) d. Lloyd Kaufman/Michael Herz (USA)
THE TOXIC AVENGER III: THE LAST TEMPTATION OF TOXIE (1989) d. Lloyd Kaufman/Michael Herz (USA)
CITIZEN TOXIE: THE TOXIC AVENGER IV (2001) d. Lloyd Kaufman (USA)
There are Hollywood big-budget blockbusters. There are edgy exploitation flicks. There are scrappy independent films.
And then there are TROMA movies.
Neither celebrated for their subtle nuance nor held in high regard by the critical cognoscenti, Troma managed to carve out an indelible place in cinema history, with its 1984 flagship production featuring the “first superhero from New Jersey,” The Toxic Avenger, co-directed by the Troma Team of Lloyd Kaufman and Michael Herz and scripted by Joe Ritter and about a dozen other people.
And then there are TROMA movies.
Neither celebrated for their subtle nuance nor held in high regard by the critical cognoscenti, Troma managed to carve out an indelible place in cinema history, with its 1984 flagship production featuring the “first superhero from New Jersey,” The Toxic Avenger, co-directed by the Troma Team of Lloyd Kaufman and Michael Herz and scripted by Joe Ritter and about a dozen other people.
Friday, August 16, 2024
HAMMER HORROR: THE GORGON (1964) / THE REPTILE (1966) Round Table!!!
THE GORGON (1964) d. Terence Fisher (UK)
THE REPTILE (1966) d. John Gilling (UK)
By the mid-1960s, Hammer Studios had exhausted its supply of classic Universal monsters, with vampiric counts, stitched-together reanimated corpses, lycanthropic curses, and bandaged Egyptian shamblers all present and accounted for. In response, the creative teams dug out their tomes of Greek mythology and exotic travel guides to conjure two original monsters, both – coincidentally or not – featuring female creatures levying doom on the locals.
THE REPTILE (1966) d. John Gilling (UK)
By the mid-1960s, Hammer Studios had exhausted its supply of classic Universal monsters, with vampiric counts, stitched-together reanimated corpses, lycanthropic curses, and bandaged Egyptian shamblers all present and accounted for. In response, the creative teams dug out their tomes of Greek mythology and exotic travel guides to conjure two original monsters, both – coincidentally or not – featuring female creatures levying doom on the locals.
Friday, August 9, 2024
THE SIXTH SENSE & STIR OF ECHOES: GHOST SUMMER OF 1999
THE SIXTH SENSE (1999) d. M. Night Shyamalan (USA)
STIR OF ECHOES (1999) d. David Koepp (USA)
With scores of classic ghost movies populating the silver screen, video shelves, and streaming queues, it's still a pleasant surprise to have two noteworthy examples arriving the same year. That’s exactly what happened in 1999 when M. Night Shyamalan's The Sixth Sense and David Koepp's Stir of Echoes hit theaters within a month of each other.
STIR OF ECHOES (1999) d. David Koepp (USA)
With scores of classic ghost movies populating the silver screen, video shelves, and streaming queues, it's still a pleasant surprise to have two noteworthy examples arriving the same year. That’s exactly what happened in 1999 when M. Night Shyamalan's The Sixth Sense and David Koepp's Stir of Echoes hit theaters within a month of each other.
Saturday, August 3, 2024
DOUG AND THE DINOS - THE LAND THAT TIME FORGOT (1974)!!!
THE LAND THAT TIME FORGOT (1974) d. Kevin Connor (UK)
AT THE EARTH'S CORE (1976) d. Kevin Connor (UK)
THE PEOPLE THAT TIME FORGOT (1977) d. Kevin Connor (UK)
WARLORDS OF ATLANTIS (1978) d. Kevin Connor (UK)
After a British cruiser is sunk by a German U-boat in the waning days of WWI, the remaining survivors – led by square-jawed American Bowen Tyler – turn the tables on their aggressors, floating in a lifeboat until the sub surfaces and taking the Jerrys by surprise. As food supplies dwindle, an uneasy truce is drawn after they happen upon a mythical uncharted island named “Caprona” which boasts all manner of evolution from dinosaurs to cavemen.
AT THE EARTH'S CORE (1976) d. Kevin Connor (UK)
THE PEOPLE THAT TIME FORGOT (1977) d. Kevin Connor (UK)
WARLORDS OF ATLANTIS (1978) d. Kevin Connor (UK)
After a British cruiser is sunk by a German U-boat in the waning days of WWI, the remaining survivors – led by square-jawed American Bowen Tyler – turn the tables on their aggressors, floating in a lifeboat until the sub surfaces and taking the Jerrys by surprise. As food supplies dwindle, an uneasy truce is drawn after they happen upon a mythical uncharted island named “Caprona” which boasts all manner of evolution from dinosaurs to cavemen.
Friday, July 26, 2024
ZOMBIE (1979) (aka ZOMBIE FLESH EATERS) TURNS 45!!!
ZOMBIE (aka ZOMBIE FLESH EATERS / ZOMBI 2) (1979) d. Lucio Fulci (Italy)
When George Romero’s Dawn of the Dead became a major success worldwide, Italians had a stake in the matter since horror icon Dario Argento was one of its producers. In Italy, the trimmed-down Dawn was rechristened Zombi, and its blockbuster status dramatically altered the horror landscape, with molto filmmakers clamoring to ride the coattails of its success. Veteran direction Lucio Fulci was first out of the gate in 1979 with his own rendering of the undead mythos. Its name was....
Friday, July 19, 2024
THE BLAIR WITCH PROJECT (1999): 25 YEARS IN THE WOODS!!!
THE BLAIR WITCH PROJECT (1999) d. Daniel Myrick/Ed Sanchez (USA)
BOOK OF SHADOWS: BLAIR WITCH 2 (2000) d. Joe Berlinger (USA)
BLAIR WITCH (2016) d. Adam Wingard (USA)
Low-budget horror filmmakers take note: You can make an original and frightening film for barely any money; it simply requires a fresh approach and more imagination than Karo syrup. Witness 1999’s groundbreaking sensation from co-creators Daniel Myrick and Eduardo Sanchez, The Blair Witch Project. The slender premise sees three college students go into the woods near Burkittsville, Maryland in October 1994 to record footage for their documentary about the mythical Blair Witch. They are never heard from again. One year later, their footage is discovered, and later assembled by authorities in an attempt to learn their fate and potential whereabouts. What we are presented... is that footage.
BOOK OF SHADOWS: BLAIR WITCH 2 (2000) d. Joe Berlinger (USA)
BLAIR WITCH (2016) d. Adam Wingard (USA)
Low-budget horror filmmakers take note: You can make an original and frightening film for barely any money; it simply requires a fresh approach and more imagination than Karo syrup. Witness 1999’s groundbreaking sensation from co-creators Daniel Myrick and Eduardo Sanchez, The Blair Witch Project. The slender premise sees three college students go into the woods near Burkittsville, Maryland in October 1994 to record footage for their documentary about the mythical Blair Witch. They are never heard from again. One year later, their footage is discovered, and later assembled by authorities in an attempt to learn their fate and potential whereabouts. What we are presented... is that footage.
Friday, July 12, 2024
THE ORIGINAL IRON MAN - TETSUO (1989) TURNS 35!!!
TETSUO: THE IRON MAN (1989) d. Shinya Tsukamoto (Japan)
TETSUO II: BODY HAMMER (1992) d. Shinya Tsukamoto (Japan)
TETSUO: THE BULLET MAN (2009) d. Shinya Tsukamoto (Japan)
Winner of Best Film at the 1989 Fantafestival in Rome, Shinya Tsukamoto’s breakout 1989 feature Tetsuo: The Iron Man is a touchstone of cinematic cyberpunk, a relentlessly frenetic black-and-white 16mm assault on the senses and sensibilities, and a supercharged display of independent filmmaking.
TETSUO II: BODY HAMMER (1992) d. Shinya Tsukamoto (Japan)
TETSUO: THE BULLET MAN (2009) d. Shinya Tsukamoto (Japan)
Winner of Best Film at the 1989 Fantafestival in Rome, Shinya Tsukamoto’s breakout 1989 feature Tetsuo: The Iron Man is a touchstone of cinematic cyberpunk, a relentlessly frenetic black-and-white 16mm assault on the senses and sensibilities, and a supercharged display of independent filmmaking.
Friday, July 5, 2024
IT FOLLOWS / THE BABADOOK: THE CLASS OF 2014
IT FOLLOWS (2014) d. David Robert Mitchell (USA)
THE BABADOOK (2014) d. Jennifer Kent (Australia)
10 years ago, a pair of horror films exploded onto the scene, both from independent writer/directors not known for genre fare, both displaying exceptional visual confidence and storytelling skills, and both layered with multiple levels of metaphor and symbolism spicing their genuinely unnerving and clean mythologies. Critics and audiences celebrated this one-two punch of intellectually stimulating and emotionally gut-wrenching fright flicks, subtly shifting the terror landscape forever.
THE BABADOOK (2014) d. Jennifer Kent (Australia)
10 years ago, a pair of horror films exploded onto the scene, both from independent writer/directors not known for genre fare, both displaying exceptional visual confidence and storytelling skills, and both layered with multiple levels of metaphor and symbolism spicing their genuinely unnerving and clean mythologies. Critics and audiences celebrated this one-two punch of intellectually stimulating and emotionally gut-wrenching fright flicks, subtly shifting the terror landscape forever.
Thursday, June 27, 2024
CORMAN, PRICE, & POE in '64: THE MASQUE OF THE RED DEATH/THE TOMB OF LIGEIA
THE MASQUE OF THE RED DEATH (1964) d. Roger Corman (USA/UK)
THE TOMB OF LIGEIA (1964) d. Roger Corman (USA/UK)
We at HORROR 101 would like to honor the passing of the late great Roger Corman by highlighting two of the more unusual efforts in his now-classic series of Edgar Allan Poe adaptations, both of which premiered in 1964 and both starring the inimitable Crown Prince of Horror, Vincent Price: The Masque of the Red Death and The Tomb of Ligeia.
THE TOMB OF LIGEIA (1964) d. Roger Corman (USA/UK)
We at HORROR 101 would like to honor the passing of the late great Roger Corman by highlighting two of the more unusual efforts in his now-classic series of Edgar Allan Poe adaptations, both of which premiered in 1964 and both starring the inimitable Crown Prince of Horror, Vincent Price: The Masque of the Red Death and The Tomb of Ligeia.
Thursday, June 20, 2024
BRING ON THE BIG BUGS - THEM! (1954) TURNS 70!!!
THEM! (1954) d. Gordon Douglas (USA)
Unleashed upon a hungry-for-sci-fi movie-going public in the summer of 1954, Them! was the first of the “big bug” movies and proved to be the year’s biggest moneymaker for Warner Brothers. Originally slated to be shot in color and 3D, the studio cut the budget at the last minute, although the stark black and white cinematography may have worked to its advantage, yielding an impressively eerie visual landscape. These elements, combined with extraordinary sound design, art direction, and solid ensemble performances, resulted in a true genre classic that would go on to earn an Academy Award nomination for its imaginative and thrilling special effects.
Unleashed upon a hungry-for-sci-fi movie-going public in the summer of 1954, Them! was the first of the “big bug” movies and proved to be the year’s biggest moneymaker for Warner Brothers. Originally slated to be shot in color and 3D, the studio cut the budget at the last minute, although the stark black and white cinematography may have worked to its advantage, yielding an impressively eerie visual landscape. These elements, combined with extraordinary sound design, art direction, and solid ensemble performances, resulted in a true genre classic that would go on to earn an Academy Award nomination for its imaginative and thrilling special effects.
Friday, June 14, 2024
GHOSTBUSTERS (1984) HITS THE BIG 4-0!!!
GHOSTBUSTERS (1984) d. Ivan Reitman (USA)
GHOSTBUSTERS 2 (1989) d. Ivan Reitman (USA)
GHOSTBUSTERS: ANSWER THE CALL (2016) d. Paul Feig (USA)
GHOSTBUSTERS: AFTERLIFE (2021) d. Jason Reitman (USA)
GHOSTBUSTERS: FROZEN EMPIRE (2024) d. Gil Kenan (USA)
(Apologies for the dicey audio - apparently my microphone wasn't plugged in, so you're getting that sweet, sweet laptop mic instead.)
40 years ago, no one had ever seen anything quite like Ghostbusters. A movie populated with hilarious and charming heroes and genuinely scary ghosts. A story that made you laugh one minute and scream the next. A big-budget comedy festooned with elaborate special effects. Despite the unconventional concept, director Ivan Reitman and co-writer/co-star Harold Ramis refashioned Dan Aykroyd's original story treatment of interdimensional ghost hunters into a contemporary comedy set in New York City. Bill Murray and Ernie Hudson eventually filled out the titular quartet, alongside rising stars Sigourney Weaver and Rick Moranis, with improvising galore and guffaws aplenty.
GHOSTBUSTERS 2 (1989) d. Ivan Reitman (USA)
GHOSTBUSTERS: ANSWER THE CALL (2016) d. Paul Feig (USA)
GHOSTBUSTERS: AFTERLIFE (2021) d. Jason Reitman (USA)
GHOSTBUSTERS: FROZEN EMPIRE (2024) d. Gil Kenan (USA)
(Apologies for the dicey audio - apparently my microphone wasn't plugged in, so you're getting that sweet, sweet laptop mic instead.)
40 years ago, no one had ever seen anything quite like Ghostbusters. A movie populated with hilarious and charming heroes and genuinely scary ghosts. A story that made you laugh one minute and scream the next. A big-budget comedy festooned with elaborate special effects. Despite the unconventional concept, director Ivan Reitman and co-writer/co-star Harold Ramis refashioned Dan Aykroyd's original story treatment of interdimensional ghost hunters into a contemporary comedy set in New York City. Bill Murray and Ernie Hudson eventually filled out the titular quartet, alongside rising stars Sigourney Weaver and Rick Moranis, with improvising galore and guffaws aplenty.
Friday, June 7, 2024
50 YEARS OF VAMPYRES (1974)!!!
VAMPYRES (1974) d. Jose Ramon Larraz (UK/Spain)
At a time when throwing extensive vampiric nudity on screen would have been enough, writer/director Jose Ramon Larraz went the extra mile to conjure a deceptively simple, highly satisfying tale of two bisexual bloodsuckers with Vampyres, released in 1974. Played with charged sensuality by newcomers Marianne Morris (as the dark, mysterious Fran) and Anulka (as blonde, fresh-faced Miriam), the Sapphic duo take up residence in a remote English countryside estate, flagging down unsuspecting male drivers to take home for an evening snack. In addition to their daily iron intake, these vampires enjoy all pleasures of the flesh, and Larraz delivers the goods in numerous well-shot, sexy interludes between the lovers and their victims.
At a time when throwing extensive vampiric nudity on screen would have been enough, writer/director Jose Ramon Larraz went the extra mile to conjure a deceptively simple, highly satisfying tale of two bisexual bloodsuckers with Vampyres, released in 1974. Played with charged sensuality by newcomers Marianne Morris (as the dark, mysterious Fran) and Anulka (as blonde, fresh-faced Miriam), the Sapphic duo take up residence in a remote English countryside estate, flagging down unsuspecting male drivers to take home for an evening snack. In addition to their daily iron intake, these vampires enjoy all pleasures of the flesh, and Larraz delivers the goods in numerous well-shot, sexy interludes between the lovers and their victims.
Friday, May 31, 2024
SANTA SANGRE (1989): CULT FILM PERFECTION!!!
SANTA SANGRE (1989) d. Alejandro Jodorowsky (Mexico/Italy)
Visionary filmmaker Alejandro Jodorowsky cultivates one brilliant sequence after another, employing a staggering use of color shades, sensational aural cues, disturbing themes, and some of the most original onscreen imagery ever laid to celluloid. Hypnotizing and enticing, repugnant and crude, Santa Sangre is a thoroughly absorbing and unforgettable experience. It is at once a character-based drama, a psychological thriller, a social commentary tract rife daring symbolism, and a bona-fide musical featuring trance-inducing tunes and haunting ballads. It’s also Jodorowsky’s greatest and most accessible masterwork.
Visionary filmmaker Alejandro Jodorowsky cultivates one brilliant sequence after another, employing a staggering use of color shades, sensational aural cues, disturbing themes, and some of the most original onscreen imagery ever laid to celluloid. Hypnotizing and enticing, repugnant and crude, Santa Sangre is a thoroughly absorbing and unforgettable experience. It is at once a character-based drama, a psychological thriller, a social commentary tract rife daring symbolism, and a bona-fide musical featuring trance-inducing tunes and haunting ballads. It’s also Jodorowsky’s greatest and most accessible masterwork.
Sunday, May 26, 2024
HAPPY BIRTHDAY, PETER! (CUSHING CURIOSITIES BOX SET)
CONE OF SILENCE (1960) d. Charles Frend (UK)
SUSPECT (1960) d. The Boulting Brothers (UK)
THE MAN WHO FINALLY DIED (1962) d. Quentin Lawrence (UK)
SHERLOCK HOLMES (1968) d. Various (UK)
BLOOD SUCKERS (1971) d. Robert Hartford-Davis (UK)
TENDER DRACULA (1974) d. Pierre Grunstein (France)
Welcome to Episode #18 of THE STACK!!
Tonight we celebrate Peter Cushing's 111th birthday in style with Severin Films' extraordinary box set of five feature films and the six remaining episodes of the BBC's production of Sherlock Holmes.
SUSPECT (1960) d. The Boulting Brothers (UK)
THE MAN WHO FINALLY DIED (1962) d. Quentin Lawrence (UK)
SHERLOCK HOLMES (1968) d. Various (UK)
BLOOD SUCKERS (1971) d. Robert Hartford-Davis (UK)
TENDER DRACULA (1974) d. Pierre Grunstein (France)
Welcome to Episode #18 of THE STACK!!
Tonight we celebrate Peter Cushing's 111th birthday in style with Severin Films' extraordinary box set of five feature films and the six remaining episodes of the BBC's production of Sherlock Holmes.
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