SISTERS (1973) Movie Review

Sisters (1973) d. Brian De Palma (USA) (93 min)

 

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Following a stint together on a game show called Peeping Toms, aspiring model/actress Danielle (Margot Kidder) and the handsome and chivalrous Philip (Lisle Wilson) strike up a romance and end up back at her apartment. Across the alley, reporter Grace Collier (Jennifer Salt) witnesses a brutal murder through Danielle’s window, but when she arrives with the cops in tow, the body is gone and there is no trace of the crime. Undeterred, Grace hires a private detective (Charles Durning) to help her solve the mystery, which leads her down a twisty, tangled path that may cost her life, her mind, or both.

EATEN ALIVE (1976) Blu-ray review

Eaten Alive (aka Death Trap) (1976) d. Tobe Hooper (USA) (91 min)

Deep in the Louisiana bayou sits the ramshackle Starlight Hotel, destination of choice for those who like to check in but not check out! Presided over by the bumbling, mumbling Judd (Neville Brand) and his pet croc which he keeps in a large pond out front, the patron of this particular establishment may seem like a good-natured ol' Southern gent - but he has a mean temper on him, and a mighty large scythe to boot....

PHANTOM OF THE PARADISE (1974)

In conjunction with Cinema SuperCollider's upcoming podcast, we take a break from our usual programming to showcase Anna McKibben's essay, which originally appeared in the Rondo Award-winning compendium, HIDDEN HORROR. Hope you enjoy!

“It's all here. Read it carefully then sign at the bottom in blood. Messy, I know, but it's the only way to bind. Tradition.”

PHANTOM OF THE PARADISE (1974) movie review

Phantom of the Paradise (1974) d. De Palma, Brian (USA)

Two years before he emerged as a superstar filmmaker with Carrie, De Palma concocted this comedy/horror re-working of Phantom of the Opera. When enigmatic studio magnate Swan (Paul Williams, in a stroke of inspired casting) steals aspiring composer William Finley’s rock opera version of Faust, the spurned tunesmith swears vengeance. As he attempts to sabotage the Death Records offices, Finley’s face and vocal cords are destroyed in a horrific record pressing accident, transforming him into a masked freak haunting Swan’s new rock opera house, the Paradise.