Showing posts with label Mel Ferrer. Show all posts
Showing posts with label Mel Ferrer. Show all posts

Monday, April 22, 2019

EATEN ALIVE (1976) Blu-ray review



Eaten Alive (aka Death Trap) (1976) d. Tobe Hooper (USA) (91 min)

Deep in the Louisiana bayou sits the ramshackle Starlight Hotel, destination of choice for those who like to check in but not check out! Presided over by the bumbling, mumbling Judd (Neville Brand) and his pet croc which he keeps in a large pond out front, the patron of this particular establishment may seem like a good-natured ol' Southern gent - but he has a mean temper on him, and a mighty large scythe to boot....


Saturday, January 19, 2013

THE VISITOR (1979) movie review


Visitor, The (1979) d. Paradisi Giulio (as Michael J. Paradise) (USA/Italy)

Ovido Assonitis, the visionary behind such schlock classics as Beyond the Door, Tentacles (and supposedly a goodly portion of Piranha II: The Spawning), wrote and produced this mind-blowing epic slice of cheese featuring an A-list cast in service of a sci-fi Christian parable comprised of equal parts The Omen, The Bad Seed, Rosemary’s Baby, Ice Castles, The Birds, Close Encounters, The Star Chamber and The Fish that Saved Pittsburgh.

Thursday, September 13, 2012

THE WORLD, THE FLESH AND THE DEVIL (1959) movie review


World, the Flesh and the Devil, The (1959) d. MacDougall, Ranald

Harry Belafonte stars as a mine worker who, thanks to a freak cave-in, is spared the fate of an atomic holocaust that wipes out 99.9% of the world’s population. When he finally emerges, he sets up camp in Manhattan, avoiding madness through industry, but of course things get more complicated when he discovers comely 20-year-old Inger Stevens; even more so once lascivious sailor Mel Ferrer sails into port. Unfortunately, in spite of the effective use of deserted metropolitan locations, Harold J. Marzorati’s stark black and white cinematography, Miklos Rosza’s evocative music score and the trio’s capable performances, the film (based on M.P. Sheil’s novel) lacks a much-needed dramatic urgency while the melodramatic love triangle rings particularly pulpy. (Roger Corman and screenwriter Robert Towne cribbed the basic plotline for their 1960 quickie The Last Woman on Earth at a fraction of the price.)