THE OMEN (1976) d. Richard Donner (USA)
DAMIEN: OMEN II (1978) d. Don Taylor (USA)
THE FINAL CONFLICT (1981) d. Graham Baker (USA)
OMEN IV: THE AWAKENING (1991) d. Jorge Montesi/Dominique Othenin-Girard (USA)
THE OMEN (2006) d. John Moore (USA)
THE FIRST OMEN (2024) d. Arkasha Stevenson (USA)
The success of William Friedkin’s The Exorcist in 1973 sparked any number of cheapie imitations, spawning an entire subgenre of occult and possession-themed features. What sets The Omen apart from these is screenwriter David Seltzer and director Richard Donner’s thoughtful adherence to a rigid universe of logic and plausibility; all of the bizarre tragedies surrounding the Thorns could be justified as pure coincidence and/or freak accidents, without any supernatural leanings. This grounding in reality, further anchored by Peck’s stolid presence, turned what could have been a schlocky exercise in exploitation into a prestige picture that demanded attention and (occasionally grudging) respect.
Showing posts with label Martin Benson. Show all posts
Showing posts with label Martin Benson. Show all posts
Friday, June 5, 2026
Saturday, October 26, 2019
THE OMEN (1976) Blu-ray Review
Scare-A-Thon Totals to Date:
Total Movies Watched: 24
Total First Time Views: 11
Amount raised for AMAZON WATCH: $1,986.48
The Omen (1976) d. Richard Donner (111 min) (5th viewing)
While stationed in Italy, influential American diplomat Robert Thorn (Gregory Peck) receives the tragic news that the child born to his wife Katherine (Lee Remick) has died during childbirth. However, the kindly Father Spilletto (Martin Benson) suggests that the grieving father secretly adopt another baby – born the same night – and raise it up as his own. Five years later, Robert has been appointed U.S. Ambassador to England, he and Katherine are happy, and their son Damien (Harvey Stephens) is healthy and thriving. But following a series of strange, fatal accidents, Robert is compelled to investigate the circumstances surrounding Damien’s birth and, with the help of independent photojournalist Keith Jennings (David Warner), comes to believe that his son may in fact be the offspring of the Devil Himself.
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