SING ALONG WITH ME, EVERYONE: A-ONE-AND-A-TWO…
Nightmare on Elm Street, A (1984) (5th viewing) d. Craven, Wes (USA) 91min
Horror Hall-of Famer Wes Craven created this hugely successful fright flick, which spawned multiple sequels, launched New Line Cinema, and introduced the moniker of “Freddy Krueger” into pop culture consciousness. Attractive (if acting-talent-challenged) Heather Langenkamp plays a teenager plagued by dreams of a horribly scarred figure wearing a distinctive red-striped sweater, battered fedora, and a glove with knives attached to the fingers. Robert Englund, in the role he would forever be identified with, creates an original and frightening villain in Freddy, an executed child-murdering psychopath who has found the means to keep up his gruesome work by entering his prospective victim’s dreams. Not yet the wisecrack-spouting centerpiece of future installments, Englund’s minimal appearances pack a darkly effective punch. As Langenkamp and company (including Johnny Depp, in his feature film debut) struggle to stay awake, Krueger’s sinister history is gradually revealed, along with the small town’s dark and horrifying secret. There is certainly much to applaud in the film’s fiercely innovative concept, nightmare imagery, and gory special effects; but the line between Craven’s real world and dream counterpart becomes so blurred in the end, there is no logic remaining except dream logic. Consequently, it often feels like the viewer is being cheated of a legitimate story for the sake of some “really cool kills,” (many of which are admittedly memorable, particularly one in which a character is swallowed and regurgitated by their own bed). This aspect, along with stiff performances and a really weak ending, lands
Nightmare on a slightly lower rung than other modern horror classics.
