MARIO BAVA'S BLACK SUNDAY (1960) UNMASKED – The Italian Gothic Horror Boom Begins!

BLACK SUNDAY (1960) d. Mario Bava (Italy)

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Tonight we’re discussing Mario Bava’s Black Sunday (aka The Mask of Satan) (1960), one of the most atmosphere-drenched cinematic forays into the supernatural. Marrying the feel of the Universal classics with the darkness of a Grimm fairy tale, and adding in the gorier and sexier feel of the rising Hammer color Gothics, this tour-de-force directorial debut introduced the world to Italian DP Mario Bava (Blood and Black Lace, Black Sabbath) and scream queen in the making Barbara Steele (Castle of Blood, The Long Hair of Death), both becoming genre superstars overnight.

October Horror Movie Challenge 10/24 - 10/25

SURE IS DARK IN HERE…


Black Torment, The (1964) (1st viewing) d. Hartford-Davis, Robert (UK) 90min
Striking Gothic visuals, stellar cinematography and a wingding of a climactic swordfight elevate this oft-neglected Brit horror. 17th-century aristocrat John Turner returns to his country estate from London with new bride Heather Sears, where he encounters hostility and accusations from his servants and associates. Amidst rumors of witchcraft and long-kept family skeletons, a spate of rapes and murders have befallen a number of local lasses…with all reports stating that the perpetrator is none other than Turner himself…in spite of the fact that he has been visibly out of the county. Fans of Hammer, Amicus and especially Tigon (Tony Tenser was one of the producers) should be pleased with the results derived by director Hartford-Davis, screenwriters Donald and Derek Ford, and a solid production team.