Showing posts with label Kino Lorber. Show all posts
Showing posts with label Kino Lorber. Show all posts
Thursday, October 29, 2020
X: THE MAN WITH THE X-RAY EYES (1963) Blu-ray Review
Scare-A-Thon Totals to Date:
Total Movies Watched: 28
Total First Time Views: 14
Amount raised for BOXVILLE: $2,349.76
X: The Man with the X-ray Eyes (1963) d. Roger Corman (USA) (79 min) (5th viewing)
When the brilliant Dr. Xavier (Ray Milland) concocts a serum to improve human sight, he stumbles upon a formula for X-ray vision. Inspired by its awesome medical potential, but shunned by his short-sighted colleagues, the doctor tests the potion on himself, only to discover that a side effect of his enhanced vision is the insatiable desire to look further and deeper, perhaps more than any mortal can bear.
Monday, March 23, 2020
DEEP RISING (1998) Blu-ray Review
Deep Rising (1998) d. Stephen Sommers (USA) (106 min)
A group of terrorists looking to hijack Simon Canton’s (Anthony Heald) luxury ocean liner find the vessel almost completely deserted, with something big, dark and slippery lurking in the shadows. Skipper John Finnegan (Treat Williams, doing his best Harrison Ford impression), sassy jewel thief Trillian St. James (Famke Janssen, doing her best Julia Roberts impression), and kooky mechanic Joey Pantucci (Kevin J. O’Connor, doing his best Bobcat Goldthwait impression) are the good guys matching wits against the thugs, while the bloodthirsty sea monster grabs and devours whoever is closest to its multitude of lethal tentacles.
Sunday, January 26, 2020
ZONE TROOPERS (1985) Blu-ray Review
Zone Troopers (1985) d. Bilson, Danny (USA) (86 min)
In contrast to this month’s other KRYPTIC ARMY selection, while I had been aware of its indelible box art staring back at me for decades from the VHS shelves, Zone Troopers had never really struck me as “must-see material,” and being that I was never the biggest Empire/Full Moon fan growing up, it was never more than a blip on my radar. However, as the years rolled by and my tastes mellowed, I’ve learned to appreciate and enjoy quite a bit of Charles Band’s output, so it was with a mild degree of optimism that I pulled this one up off the interwebs. Happily, I was not disappointed.
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