FRIGHT NIGHT (1985) 40th ANNIVERSARY – Revisiting the '80s Vampire Horror Classic!!!

FRIGHT NIGHT (1985) d. Tom Holland (USA)
FRIGHT NIGHT PART II (1988) d. Tommy Lee Wallace (USA)
FRIGHT NIGHT (2011) d. Craig Gillespie (USA)
FRIGHT NIGHT 2 (2013) d. Eduardo Rodriguez (USA)

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Written and directed by Tom Holland, 1985’s Fright Night is a genre-blending horror-comedy that combines classic vampire lore with 1980s suburban paranoia. The story follows teenager Charley Brewster, who suspects his suave new neighbor, Jerry Dandrige, is a vampire. When his girlfriend Amy and best friend Ed dismiss his fears, Charley turns to horror host Peter Vincent to save the day... and the night.

40 YEARS OF DAY OF THE DEAD (1985): THE ROMERO ZOMBIE CLASSIC!

DAY OF THE DEAD (1985) d. George A. Romero (USA)

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Following up one of the biggest worldwide horror sensations was no easy feat for writer/director George A. Romero. When the sequel to Night of the Living Dead, 1978’s Dawn of the Dead, turned out to be even more successful and arguably just as influential, other doors opened for the horror icon. But when it came to concluding his zombie opus, budget limitations forced him to scale back his original vision for what would ultimately come to be known as Day of the Dead.

GIANT MONSTERS OF 1955: TARANTULA, IT CAME FROM BENEATH THE SEA, & KING DINOSAUR!!

TARANTULA (1955) d. Jack Arnold (USA)
IT CAME FROM BENEATH THE SEA (1955) d. Robert Gordon (USA)
KING DINOSAUR (1955) d. Bert I. Gordon (USA)

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Tonight, we step back seventy years to 1955—the cusp of the golden age for giant monster cinema, as atomic anxiety crept from the headlines onto the silver screen, mutating into monstrous metaphors that stomped, crawled, and slithered into our collective imagination. We’ll look at three emblematic 1955 films - Tarantula, It Came from Beneath the Sea, and King Dinosaur - and explore how their monsters weren’t just fanciful products of science fiction, but also reflections of Cold War fears, rapid technological advancement, and the uneasy relationship between scientific progress and military might.

HENRY: PORTRAIT OF A SERIAL KILLER (1986) | Defending the True Crime Horror Classic

HENRY: PORTRAIT OF A SERIAL KILLER (1986/1990) d. John McNaughton (USA)

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Tonight we take a look back at one of the most disturbing and uncompromising horror films ever made: Henry: Portrait of a Serial Killer. Loosely inspired by the real-life confessions of Henry Lee Lucas, John McNaughton’s debut feature is relentless in its refusal to offer comfort, catharsis, or a triumphant finale of good over evil. Originally slapped with an X rating, which made it nearly inaccessible for years, Henry is no ordinary '80s slasher. And what it lacks in graphic cinematic splatter, it makes up for in atmosphere and dread.