Showing posts with label Udo Kier. Show all posts
Showing posts with label Udo Kier. Show all posts
Friday, October 9, 2020
MOTHER OF TEARS: THE THIRD MOTHER (2007) DVD Review
SCARE-A-THON Totals to Date:
Total Movies Watched: 8
Total First Time Views: 5
Amount raised for BOXVILLE: $512.16
Mother of Tears: The Third Mother (2007) d. Dario Argento (Italy) (102 min) (3rd viewing)
When an ancient urn is unearthed in Viterbo Cemetery outside Rome, the contents are shipped to prestigious artifact gatherer Michael (Adam James); in his absence, team members Sarah (Asia Argento) and Giselle (Coralina Cataldi-Tessi) open the contents to discover a trio of primitive statuettes, a crafted dagger, a red tunic, and… a whole passel of trouble. After Giselle is gruesomely (and graphically) murdered, Sarah and Michael find themselves on the run as a series of violent incidents are triggered throughout the city, with hordes of cackling eyeliner-loving females, misshapen demons, and random screeching monkeys sweeping the land.
Saturday, November 11, 2017
SUSPIRIA (1977) movie review - Cinepocalypse 2017
Suspiria (1977) d. Argento, Dario (Italy) (4th viewing)
Considered by many to be Il Maestro’s masterwork, this fiercely original tale of an exclusive (and haunted) German ballet school exhibits more personal style and verve in its opening ten minutes than many directors demonstrate in a lifetime. The arrival of American dance student Suzy Bannion (Jessica Harper) coincides with a series of bizarre, violent deaths within the academy, and while the film’s coven-of-witches storyline is tenuous at best, Argento’s striking camerawork and audacious colored lighting more than compensate.
Monday, September 14, 2015
THE EDITOR (2014) Blu-ray Review
The Editor (2014) d. Adam Brooks / Matthew Kennedy (Canada)
Wet Hot American Summer set a high bar for genre parodies in that in addition to being a parody, it also acted as both a loving tribute to a very specific subgenre (early ’80s “summer camp” movies) and a respectable entry into that subgenre itself despite its bizarre humor. There have been a few similar parodies in the years since – Black Dynamite immediately comes to mind as one particularly successful example – but no one has come as close to replicating Wet Hot’s mix of parody and tribute as Canadian comedy group Astron 6.
Sunday, May 24, 2015
THE STRANGE CASE OF DR. JEKYLL AND MISS OSBOURNE (1981) Blu-ray Review
The Strange Case of Dr. Jekyll and Miss Osbourne (1981) d. Walerian Borowczyk (France/West Germany)
A young girl is violently bludgeoned to death in a dead-end alley. A few blocks away, the opulent festivities surrounding the engagement of rebellious scientist Dr. Henry Jekyll (Udo Kier) and vibrant debutante Fanny Osbourne (Marino Pierro) are in full swing. In attendance are a decorated war hero (Patrick Magee), his intemperate daughter, the esteemed Dr. Lanyon (Howard Vernon), and the betrothed’s respective and respected mothers. Religion also has a place at the table, in the form of Reverend Guest (Clement Harari), who vocally opposes Jekyll’s notions of “transcendental medicine.” The news of the murdered youth casts a pall upon the happy occasion, but soon the bloodshed touches the moneyed inhabitants inside, sweeping through the upper crust like (and often with) a sharp blade, and always when the young doc just happens to be out of the room….
Tuesday, April 7, 2015
MARK OF THE DEVIL (1970) Blu-ray Review
Mark of the Devil (1970) d. Michael Armstrong (West Germany)
In a small rural township, fear and hatred spread as accusations of witchcraft and devilry fly like so many sparks from a raging bonfire. Of course, any place where Justice wears a face such as that of the wicked Albino (Reggie Nalder), any citizen one might fear for his/her soul. However, upon the arrival of Lord Cumberland’s attachés, in the persons of Count Christian von Meruh (Udo Kier) and Jeff Wilkens (Herbert Fux), it seems that sanity may reign once again when they rescue the beautiful Vanessa (Olivera Vuco) from Albino’s cruel and unlawful clutches. Christian and Vanessa share a brief romance, only to have their love crushed under the unwavering foot of Cumberland (Herbert Lom). Seems our all-powerful witchfinder has a problem with the ladies, or rather with his limp willy’s lack of response to them, and is prepared to stretch, bleed, and burn every last buxon lass in recompense. Will Christian be able to stand up to him without being called a servant of Satan himself?
Thursday, October 17, 2013
THE HOUSE ON STRAW HILL (1976) Blu-ray Review
The House on Straw Hill (aka Exposé aka Trauma) (1976) d. James Kenelm Clarke (UK)
A curiously dubbed Udo Kier plays a high-strung novelist working out the sophomore jitters in his country hideaway (when he’s not donning rubber gloves to do the horizontal mambo with bouncy playmate Fiona Richmond, that is), with Linda Hayden as the typist hired to take dictation. One of the infamous “video nasties” banned in Britain in the ’80s, writer/director James Kenelm Clarke presents a hallucinatory and twisted portrait of sex and violence, and while his presentation has a decided confidence of conviction, his narrative is absolute loopy claptrap...which is not necessarily a bad thing.
Saturday, August 25, 2012
IRON SKY (2012) review
Iron Sky (2012) (1st viewing) d. Vuorensola, Timo (Finland)
Where did the Nazis go in 1945? To the moon, of course. Appro po of this deliriously energetic sci-fi comedy, little time is wasted on explanations or justifications and that is absolutely as it should be. Given circumstances, as insane as they might be, as accepted wholeheartedly, thanks to the conviction of the performances and the handsome production design, all marshaled by director Vuorensola’s giddy pace throughout. A lot of comedy is derived from political satire (such as the Sarah Palin-like U.S. President’s desperate angling for re-election), as well as a healthy absurdist stripe throughout, the most prominent running gag being Christopher Kirby’s African American astronaut-turned-Aryan homeless guy. It’s silly, it’s clever, it looks great, and even if it isn’t funny all of the time, the darn thing moves. Also notable for the fact that of its 7 million Euro budget, 1 million came directly from interested and invested fans themselves, easily one of the biggest consumer-based funding efforts in history and every penny of it appears onscreen with superb visual effects and art direction.
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