Showing posts with label Symptoms. Show all posts
Showing posts with label Symptoms. Show all posts

Thursday, September 29, 2016

Fool's Views (8/1 – 8/31)



Wow, where the hell did the time go? I turned around after the whirlwind that was August and suddenly I’m clearing my plate for the upcoming OCTOBER HORROR MOVIE CHALLENGE/Scare-A-Thon 2016. Which means that I should probably post the Views from the past couple months, right? Sheesh!

Time being the fleeting mistress that she is, I guess we’re going to keep these short and sweet. If you’d like to chat further about any of the flickers listed below, feel free to leave a comment or two, and we can blather on together until the shadows grow long….

(Translation: Leave your two cents worth and we’ll make sure you get some change back.)

Enjoy!

Thursday, August 16, 2012

ON VAMPYRES AND OTHER SYMPTOMS (2011) review


On Vampyres and Other Symptoms (2011) (1st viewing) d. Novis, Celia

Is it a documentary? Is it an art house pic? Is it a portrait of an artist in his sunset years? Is it a commission from the Sitges Film Festival on one of their own? Is it a tribute to a relatively obscure horror director (Jose Ramon Larraz) known primarily for making one of the worthier lesbian bloodsucker pictures (Vampyres, 1975)? Does it feature shots of that film’s nubile stars, Anulka Dubinska and Marianne Morris, now 35 years older, inexplicably running down hotel hallways? Does it feature stark black and white comic book panels depicting Larraz meeting famed director Josef von Sternberg in his youth, a chance encounter that led to the former becoming a filmmaker himself? Does it culminate with Larraz receiving a lifetime achievement award at Sitges? The answer to all of these questions is “yes,” and yet, perhaps because of that, the end result seems to obscure as much about its subject as it reveals. While Novis’ unconventional approach deserves merit for its own sake, one cannot help but feel that the full story has been left untold or that, maybe, just maybe, a man with only two significant international credits (1974’s lesser known Symptoms) wasn’t much of a documentary subject.