Showing posts with label Sam Neill. Show all posts
Showing posts with label Sam Neill. Show all posts

Thursday, June 29, 2023

JURASSIC PARK (1993) 30TH ANNIVERSARY EXTRAVAGANZA!!




 
When Michael Crichton’s novel JURASSIC PARK debuted in 1990, it read on the page like the greatest Steven Spielberg film that had never been made. Soon afterwards, it was announced that Spielberg would indeed be helming the screen adaptation.
 
When JURASSIC PARK debuted on June 11, 1993, it was an instant smash hit worldwide, the highest grossing film in history up to that point (dethroning Spielberg's own E.T.: The Extra-Terrestrial from 1982), basically defining “summertime tentpole event” from that time forward. Tonight, 30 years later, we’ll discuss the original film, and its five, count ‘em FIVE sequels, as well as its enduring place in popular culture.

Monday, October 12, 2020

IN THE MOUTH OF MADNESS (1995) Blu-ray Review



SCARE-A-THON Totals to Date:

Total Movies Watched: 11
Total First Time Views: 6
Amount raised for BOXVILLE: $735.02 

In the Mouth of Madness (1995) d. John Carpenter (USA) (95 min) (3rd viewing)

“Do you read Sutter Cane?”

Called in to investigate the disappearance of popular horror writer Sutter Cane (Jürgen Prochnow), insurance investigator John Trent (Sam Neill) attempts to determine whether or not the whole thing is a huge publicity stunt. Meanwhile, the release of Cane’s latest novel coincides with outbreaks of violence and maniacal behavior among the reading populace.


Sunday, October 20, 2019

EVENT HORIZON (1997) Blu-ray Review



Scare-A-Thon Totals to Date:

Total Movies Watched: 18
Total First Time Views: 8
Amount raised for AMAZON WATCH: $1,431.46

Event Horizon (1997) d. Paul W.S. Anderson (UK/USA) (96 min) (2nd viewing)

Dr. William Weir (Sam Neill) has invented a futuristic “gravity drive” engine that, through a synthetic black hole, travels by folding time and space. Using the new engine, the spaceship Event Horizon disappears from radar scopes upon its maiden voyage, inexplicably reappearing seven years later in an orbit around Neptune. Taking Weir in tow, Captain Miller (Laurence Fishburne) leads a scrappy crew on a mission to recover the lifeless craft, only to find that the ship seems to have “brought something back” from… wherever it’s been. With the former crew missing, and a malevolent presence lurking, the term “ghost ship” feels all too apt.

Monday, November 18, 2013

POSSESSION (1981) movie review



Possession (1981) d. Andrzej Zulawski (France)

Deliberately abrasive and queasy, idiosyncratic Polish director Andrzej Zulawski’s best known film assails its audience from the opening scenes and never lets up for a second, leaving the viewer exhausted, exasperated and exhilarated. Returning home from a vaguely defined military mission, Sam Neill is alarmed to find that his relationship with wife Isabelle Adjani has disintegrated into complete hostility and disgust. He soon discovers that she has taken up with several lovers, one of which might not be entirely...human.


Wednesday, May 29, 2013

IN THE MOUTH OF MADNESS (1994) movie review


In the Mouth of Madness (1994) d. Carpenter, John (USA)

“Have you read Sutter Cane?” With echoes of Lovecraft’s mythology and blatant parallels to bestselling author Stephen King’s career, this represents one of Carpenter’s most intelligent and daring efforts. Called in to investigate the disappearance of popular horror writer Sutter Cane, insurance investigator Sam Neill attempts to determine whether or not the whole thing is a huge publicity stunt. Meanwhile, the release of Cane’s latest novel coincides with outbreaks of violence and maniacal behavior among the reading populace.


Tuesday, February 12, 2013

DAYBREAKERS (2009) movie review


Daybreakers (2009) d. Spierig, Michael/Spierig, Peter (Australia/USA)

The boys from Down Under follow up their high-energy, low-budget zombie flick Undead with a vampire epic that starts off with such promising and well-developed mythology that it’s more than a little disappointing when it devolves into “small band of rebels vs. the all-controlling corporate powers” action clichés, complete with predictable last minute double crosses and irksome jump scares (in this case, in the form of annoying vampire bat shrieks).