Prometheus (2012) d. Scott, Ridley
There are some smart ideas going on in Scott’s return to the
Alien universe (screw the Fox marketing department dancing about – this is a prequel; quit trying to have it both ways, jerkfaces), but the wealth of missteps in terms of characters’ inconsistent and/or irrational behavior ultimately proves the more distracting of the two sides.
There’s little denying the strength of the visuals on display, and the CG landscapes are jaw-dropping in their detail and austerity (the keyboard-spawned creatures are decidedly less successful), but the human drama that elevated early efforts like
Alien and
Blade Runner above their production values is notably absent. Prometheus’ flatly drawn characters are incapable of generating empathy or interest (especially within the maelstrom of Christian symbolism – given great illustration here
http://cavalorn.livejournal.com/584135.html).
Mostly, I found myself wishing Scott had possessed the courage to create a stand-alone return to sci-fi instead of shoring it up with constant referencing of his 1979 xenomorph zeitgeist, since these details only served to detract and distract from the matter at hand. Our Space Jockey, once a sublimely fascinating enigma, has been transformed into something so crushingly literal – I mourn I’ll never be able to unsee what I have seen.
And for those looking for a bit of a laugh, check out this bit of alternative screenwriting (spoilers ahead)
HERE
