Showing posts with label Quentin Tarantino. Show all posts
Showing posts with label Quentin Tarantino. Show all posts

Friday, July 24, 2026

FROM DUSK TILL DAWN (1996) at 30: The Vampire Cult Classic Still Has Teeth!


FROM DUSK TILL DAWN (1996) d. Robert Rodriguez (USA)
FROM DUSK TILL DAWN 2: TEXAS BLOOD MONEY (1999) d. Scott Spiegel (USA)
FROM DUSK TILL DAWN 3: THE HANGMAN'S DAUGHTER (2000) d. P.J. Pesce (USA)
FROM DUSK TILL DAWN: THE SERIES (2014-2016) d. Robert Rodriguez (USA)




Thirty years ago, From Dusk Till Dawn (1996) kicked open the saloon doors, ordered a round of tequila, and then revealed that everyone in the bar was about to be eaten by vampires. Of course, From Dusk Till Dawn is much more than its famous twist. It's a perfect snapshot of '90s independent filmmaking, bringing together Rodriguez's kinetic, resourceful direction, Tarantino's Fonzie cool dialogue, KNB's outrageous practical effects, and an ensemble cast led by George Clooney, Harvey Keitel, Juliette Lewis, Salma Hayek, and cameos from Michael Parks, John Hawkes, Tom Savini, Cheech Marin, Danny Trejo, and the Hammer himself, Fred Williamson.

Sunday, January 10, 2021

Fool's View (12/21 – 12/31) (Part 2 of 2)


"Yeah, baby, that's the finish line!! Punch it!!!"


And we’re back!

I devoted the final week of 2020 wrapping up the triple projects of Charles Bronson, Quentin Tarantino, and Joel and Ethan Coen, a decidedly eclectic bunch of titles within their own lane and as a whole.

I had only previously dabbled in Bronson’s work, having seen his ensemble efforts (Dirty Dozen, Magnificent Seven, Great Escape) and the occasional starring role, usually out of interest in the director (Hard Times, Once Upon a Time in the West) or pop culture significance (Death Wish). But a viewing of Mr. Majestyk earlier this year piqued my interest and I concluded that an actor who regularly cranked out a movie (and often two) every year, usually with his name above the title, probably deserved a little of my attention. Besides, I find myself fascinated these days by movie stars who had thriving careers despite critics endlessly declaring that they can’t act.

Having seen Once Upon a Time in Hollywood in January for awards season, it seemed like a fine time to revisit QT’s career in reverse order, since the femalien had not yet seen them all and I hadn’t seen them in a while. It’s been an interesting, rewarding, and occasionally confounding journey.

The Brothers C. Project was born of a comfort food triple-feature at the beginning of pandemic and just kept going. 18 flicks later, I’m happy to report that they haven’t lost their touch nor their way. While they share a predilection for homage with their younger cinematic comrade, it never feels quite as shamelessly derivative or “look at me” clever, which I appreciate.

As always, feel free to leave your two cents worth – we’ll make sure you get some change back.

Enjoy!