HITCHCOCK’S PSYCHO LEGACY: FROM SHOWER SCENE TO BATES MOTEL

PSYCHO (1960) d. Alfred Hitchcock (USA)
PSYCHO II (1983) d. Richard Franklin (USA)
PSYCHO III (1986) d. Anthony Perkins (USA)
PSYCHO IV: THE BEGINNING (1990) d. Mick Garris (USA)
PSYCHO (1998) d. Gus Van Sant (USA)

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Alfred Hitchcock's Psycho is not just a film; it’s an institution in the world of cinema, one that redefined the horror genre forever. Based on Robert Bloch’s 1959 novel, audiences were introduced to Norman Bates (Anthony Perkins), a seemingly mild-mannered motel owner with a dark and twisted secret. The film's groundbreaking narrative, shocking twists, and chilling atmosphere have influenced filmmakers for decades.

Fool's Views (8/19 – 9/8)

Howdy folks,

Another long patch of time with not as many flicks, but the Doc’s hands have not been idle, I promise. The journey toward the completion of the new book, HIDDEN HORROR, continues to move inexorably forward, which required much of my focus over the past few weeks. But the good news is that things are shaping up nicely and we should have a lovely new addition to your bookshelf sooner than later. Keep you posted!

That said, it was a pretty good stretch of flicks and we’ve done our best to give them all their moment in the sun. I’m not going to give much ink to Edgar Wright’s The World’s End because, well, frankly you can read up on it elsewhere and I’m not feeling all that inspired about or by it. (Sorry, Simon. Being loud and muggy and obnoxious does not necessarily equal laughs. Hell, I liked you more in the Star Trek sequel that I didn’t really like.)

As always, feel free to leave us your two cents worth – we’ll make sure you get some change back.

Enjoy!

PSYCHO III (1986) Blu-ray Review

Psycho III (1986) d. Perkins, Anthony (USA)

After the critical and commercial slamdunk of Psycho II and with sequel fever in full swing, it came as no surprise when word arose that the Bates Motel would be re-opening for business. Having engendered a generous portion of goodwill, the prevailing spirit was one of optimism, especially when it was revealed that Anthony Perkins would not only be reprising his signature role, but assuming the director’s chair for the first time in his illustrious career. If anyone knew Norman, it was Tony...or so we thought.