Showing posts with label George Hilton. Show all posts
Showing posts with label George Hilton. Show all posts
Saturday, March 12, 2022
MY DEAR KILLER (1972) Blu-ray Review
My Dear Killer (1972) d. Tonino Valerii (Italy/Spain) (100 min)
While investigating an unsolved kidnapping, an insurance agent is killed in most dramatic fashion, lifted up and then decapitated by a small steam shovel engaged to dredge a small pond. When the lethal heavy machinery operator is found hanging dead in a country barn, it appears to be an open-and-shut case of murder/suicide… until the clever and handsome Inspector Luca Peretti (George Hilton) demonstrates that the driver could not have killed himself. Thus begins Peretti’s descent into the infamous and newly-reopened “Maroni case,” complete with a tangled and ever-increasing web of suspects and victims, with the hopes that he can eventually get home in time to make love to his sexy doctor girlfriend (Marilù Tolo).
Saturday, February 16, 2019
ALL THE COLORS OF THE DARK (1972) Blu-ray review
All the Colors of the Dark (1972) d. Sergio Martino (Italy) (95 min)
The gorgeous Edwige Fenech (Strip Nude for Your Killer) stars alongside George Hilton (The Strange Vice of Mrs. Wardh) as a couple recovering not only from a car accident, but also from her resulting miscarriage. She’s also been having some rather strange dreams in which Ivan Rassimov (Eaten Alive) attacks her with a knife. When pills and psychiatrists fail to resolve the nightmares, she is persuaded to go all New Age by lovely blonde Marina Malfatti (The Night Evelyn Came out of the Grave), only to discover she’s been lured into a coven of lascivious Satanists.
Wednesday, February 13, 2019
ALL THE COLORS OF GIALLO (2018) Blu-ray review
All the Colors of Giallo (2018) d. Federico Caddeo (USA) (89 min)
Direct from Severin Films comes this loving examination of the evolution of Giallo, Italian for ‘yellow,’ the color of the lurid pulp novels that inspired one of the most intense, extreme and influential genres in cinema. Brimming with exclusive interviews with directors Mario Bava, Dario Argento, Lucio Fulci, Sergio Martino, Antonio Margheriti, and Umberto Lenzi, screenwriters Ernesto Gastaldi, Dardano Sarchetti, and Luciano Ercoli, and actors George Hilton, Daria Nicolodi, Barbara Bouchet, Edwige Fenech, and Nieves Navarro (aka Susan Scott), alongside all-new featurettes that take us even deeper into the genre’s origins, including that of the German “krimi,” the suspense films that predated and inspired their Italian successors.
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