THE CHANGELING (1980) d. Peter Medak (Canada)
Tonight we’re discussing The Changeling (1980), Peter Medak’s stellar haunted house tale which usually takes a back seat to the big-budget envisioning of Stephen King’s The Shining, released the same year. But in many ways, this small Canadian film, loaded with creepy atmosphere and tightly fashioned suspense sequences, surpasses the ax-swinging histrionics that Kubrick and Co. dish out.
Showing posts with label George C. Scott. Show all posts
Showing posts with label George C. Scott. Show all posts
Friday, October 10, 2025
Thursday, October 8, 2020
FIRESTARTER (1984) Blu-ray Review
SCARE-A-THON Totals to Date:
Total Movies Watched: 7
Total First Time Views: 5
Amount raised for BOXVILLE: $448.14
Firestarter (1984) d. Mark L. Lester (USA) (114 min) (2nd viewing)
During a top-secret experiment that leaves the rest of their comrades insane or dead, two of the test subjects undergoing a pituitary gland enhancing drug series end up marrying and producing a child capable of starting infernos with her mind. The nefarious government agency, “The Shop,” observing from afar, decides that Charlie McGee’s (Drew Barrymore) talents should not go unharnessed and plan to spirit her away from her father Andrew (David Keith) and Vicky (Heather Locklear). On the run, Andrew and Charlie dodge and weave, using their extraordinary mental gifts as needed to stay alive and at liberty. The Shop recruits Native American tracker and assassin, John Rainbird (George C. Scott), to bring in their quarry, which he does with disquieting ease. But Rainbird quickly becomes obsessed with Charlie’s power, and so begins the struggle for who will control the young pyrokinetic, raising the question if anyone can….
Tuesday, October 30, 2018
THE CHANGELING (1980) Blu-ray review
The Changeling (1980) d. Peter Medak (Canada) (107 min)
This stellar haunted house tale usually takes a back seat to the big-budget envisioning of Stephen King’s The Shining, released the same year. But in many ways, Hungarian director Medak’s smaller film, loaded with creepy atmosphere and tightly fashioned suspense sequences, surpasses any axe-swinging histrionics that Stanley Kubrick and Co. dish out.
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