GODZILLA REBORN: GOJIRA (1954) / SHIN GODZILLA (2016) ROUND TABLE!!!

GOJIRA (aka GODZILLA) (1954) d. Ishiro Honda (Japan)
GODZILLA, KING OF THE MONSTERS (1956) d. Ishiro Honda/Terry Morse (Japan/USA)
SHIN GODZILLA (2016) d. Hideaki Anno (Japan)

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It’s impossible to approach this episode’s subject with any objectivity, so I’m not even going to try. My childhood infatuation with this Tokyo-stomping behemoth first piqued an interest in monster movies, from which my passion for horror cinema followed. Granted, my gateway encounter was a far cry from the dark and imposing figure introduced to Japanese audiences in 1954 – by the time I met Godzilla in the mid-’70s, he had evolved into a rambunctious, bellowing, drop-kicking superhero, defending humankind from the evils of pollution, alien interlopers and the like.

ATTACK OF THE SUPER MONSTERS (1982) DVD review

Attack of the Super Monsters (1982) d. Toru Sotyama / Tom Wyner (Japan/USA) (83 min)

In the year 2000, we are informed via sonorous narration, a troop of dinosaurs living underground in a secret cave where they have been “developing an intelligence equal to that of Man and dreadful powers far beyond those of Humankind” finally decides to make their collective move and reclaim dominance over the Earth. With their chortling and taunting (yes, these dinos communicate via spoken word) leader Emperor Tyranus marshaling his minions with an iron claw, the cold-blooded behemoths mount a full-scale assault on our existing civilization, using a variety of brutal and bizarre methods. It’s up to the special forces team of Gemini Command to beat back the monstrous menace and save the day… over and over again.

HALF HUMAN (1958) movie review

Half Human (1958) d. Kenneth G. Crane / Ishiro Honda (USA/Japan)

Following the international distribution template set by Godzilla, King of the Monsters, Toho sold off the rights to their 1955 abominable snowman film Ju jin yuki otoko (which also starred Gojira’s Akira Takarada and Momoko Kochi) to producer Robert B. Homel. Homel took it upon himself to lop out nearly 50 minutes of footage and insert a 20-minute framing story featuring paleontologist John Carradine in his office booming out endless pages of exposition to fellow incredulously dull and dully incredulous scientists Russell Thorson, Morris Ankrum, and Robert Karnes.

GOJIRA (1954) / GODZILLA, KING OF THE MONSTERS (1956) DVD Review

Gojira (1954) d. Ishiro Honda (Japan)
Godzilla, King of the Monsters! (1956) d. Ishiro Honda / Terry O. Morse (Japan/USA)

It’s nearly impossible to approach the subject of Godzilla with any objectivity, so I’m not even going to try. After all, it was my love for this fire-breathing, Tokyo-stomping behemoth from Monster Island that first piqued my interest in monster movies, from which my love for horror films consequently followed, ultimately leading me to my current state of being dutifully strapped to my television set every spare minute to take in the latest fright flick, then rushing to the computer to discuss and critique. It’s to the Big G that we must raise our glasses and shake our fists, because it all started there. 60 years, 28 official Toho films, and two U.S. remakes later, he still stands head and shoulders above the rest.

KING KONG VS GODZILLA (1962) movie review

King Kong vs. Godzilla (1962) d. Ishiro Honda (Japan)

After cranking out an array of standalone creature features (Rodan, Mothra, Varan the Unbelievable), Toho revived their reigning daikaiju (giant monster) to do battle against America’s most popular hairy behemoth, marking the first time either had ever been seen in color or widescreen “Tohoscope.” (Kong creator Willis O’Brien’s original idea was to pit the great ape against an opponent devised by Dr. Frankenstein, but Godzilla’s marquee value proved too tempting to pass up.)

GORATH (1962) movie review

Gorath (aka Calamity Star Gorath) (1962) d. Honda, Ishiro (Japan)

When a spaceship on an exploratory mission to Saturn encounters a lethal runaway Red Dwarf star on a collision course with Earth, humanity’s scientists scramble to find a solution. When it is determined that the titular celestial freight train's mass is over 6000 times that our own, the decision is made to shift the Earth’s orbit out of Gorath’s path. Great! (pause) Now, how do we do that?