HOUSE OF USHER (1960) d. Roger Corman (USA)
PIT AND THE PENDULUM (1961) d. Roger Corman (USA)
Journey into the heart of gothic horror with House of Usher, Roger Corman’s moody and mesmerizing film version of Edgar Allan Poe’s short story. Released in 1960, Usher marks the beginning of Corman’s AIPoe series, his celebrated octet of Poe-inspired works, and it’s an atmospheric triumph of mood and style.
Showing posts with label Daniel Haller. Show all posts
Showing posts with label Daniel Haller. Show all posts
Friday, June 13, 2025
Thursday, June 27, 2024
CORMAN, PRICE, & POE in '64: THE MASQUE OF THE RED DEATH/THE TOMB OF LIGEIA
THE MASQUE OF THE RED DEATH (1964) d. Roger Corman (USA/UK)
THE TOMB OF LIGEIA (1964) d. Roger Corman (USA/UK)
We at HORROR 101 would like to honor the passing of the late great Roger Corman by highlighting two of the more unusual efforts in his now-classic series of Edgar Allan Poe adaptations, both of which premiered in 1964 and both starring the inimitable Crown Prince of Horror, Vincent Price: The Masque of the Red Death and The Tomb of Ligeia.
THE TOMB OF LIGEIA (1964) d. Roger Corman (USA/UK)
We at HORROR 101 would like to honor the passing of the late great Roger Corman by highlighting two of the more unusual efforts in his now-classic series of Edgar Allan Poe adaptations, both of which premiered in 1964 and both starring the inimitable Crown Prince of Horror, Vincent Price: The Masque of the Red Death and The Tomb of Ligeia.
Thursday, January 23, 2014
DIE, MONSTER, DIE! (1965) Blu-ray Review
Die Monster Die! (1965) d. Daniel Haller (UK/USA)
Having wrapped up their extremely successful run of Roger Corman-directed Edgar Allan Poe adaptations – fondly referred to as the “AIPoes” – American International Pictures set their sights on another highly influential horror writer, H.P. Lovecraft. (In actuality, they’d already adopted his “The Case of Charles Dexter Ward” in 1963 and turned it into Edgar Allan Poe’s The Haunted Palace, but I digress.) Corman’s able art director Daniel Haller took the helm for screenwriter Jerry’s Sohl’s reworking of “The Colour Out of Space,” whose drive-in ready retitling of Die, Monster, Die! was only the first of its many woes.
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