CALVAIRE (aka THE ORDEAL) (2004): HOLIDAY HORROR WITH AN ACCENT!!!

CALVAIRE (aka THE ORDEAL) (2004) d. Fabrice du Welz (Belgium)

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After his car breaks down en route to the next holiday gig, low-rent crooner Marc Stevens (Laurent Lucas) stumbles into a backwards backwoods community devoid of women. Taking shelter at a nearby inn, he soon finds himself captive in a nightmarish scenario that manages to surprise and unnerve without resorting to eviscerations.

Fool's Views (12/16 - 12/31)

"I can't feel my legs, my vision is blurry, and I can't use my words."
(Pause)
"Oh, that's right, it's January..."

And that, my friends, is that.

Ended the year in fine fashion, clocking an additional 25 films during the final two weeks, including bagging my last letter of the alphabet (“Y” for YellowBrickRoad) and the missing pieces in the chronology sweepstakes (1949, 1951, 1952, 1969, 1979), as well as a last-minute Share the Scare with the gang, adding another half-dozen flickers to the grand totals.

I won’t spend a lot of time chatting here – as per usual, it’s time to get to the Year-End Recap Madness – and as you’ll soon discover, you have some reading to do, Faithful AC-olytes! Let’s get to it, shall we?

As always, feel free to leave your two cents worth – we’ll make sure you get some change back.

Enjoy!

CALVAIRE (aka THE ORDEAL) (2004) review

Calvaire (aka The Ordeal) (2004) d. du Welz, Fabrice (Belgium)

This rare genre offering from Belgium presents a few novel twists on the well-worn “travelers off the beaten path” trope. After his car breaks down en route to the next holiday gig, low-rent crooner Laurent Lucas stumbles into a backwards backwoods community devoid of women. Taking shelter at Jackie Berroyer's nearby inn, he soon finds himself captive in a nightmarish scenario that manages to surprise and unnerve without resorting to eviscerations. Kudos to director du Welz, who co-wrote the script with Romain Protait, for his skillful evocation of dread-filled atmospherics, as well as one of the strangest dance sequences ever to pass through a camera lens. Watch for appearances from Eurobabe Brigette Lahaie and High Tension’s Phillipe Nahon.

BIFFF Day #3 (Sunday, 4/8)

Day #3 began with a bit of hometown pride, screening Brussels’ own Fabrice du Welz’s breakout horror feature, Calvaire, one I’ve been a fan of since first encountering it in 2006. I was excited to meet the writer/director, but this was not to be as he disappeared following his introduction to the film…and never returned. (Apparently, he’s in pre-production on his latest feature in Paris and needed to get back to work.) Even so, I was pretty bummed and spent the better part of an hour attempting to track down his contact info so I could chat with him at some future date. Ah well.

Continuing to make new friendships (including actress Naila Ma who stars in three of the CollecTIFFF features - a dozen or so of short films shot specifically to precede the evening features - and several CollecTIFFF directors) while strengthening existing ones. Before each screening, each press member must stop by the main booth to check in and pick up admission tickets from one of the lovely ladies on hand. (This is done to keep folks from gathering tix for an entire day’s screenings and passing them off to friends, I suppose.) The upside is that each new film is now bookended by an enjoyable gabfest at the press booth with a growing group of familiar faces. I think I’m still in the lead as far as those who’ve been present for nearly every screening – hoping to keep it that way.

Did I mention that there is a body painting booth where nearly naked men and topless women are getting all dolled up with brush and pen? Well, there is and there are.