THE DAY OF THE BEAST (1995): Alex de la Iglesia’s Groundbreaking Satanic Horror Comedy

THE DAY OF THE BEAST (El Dia de la Bestia) (1995) d. Alex de la Iglesia (Spain)

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Father Ángel () believes he has decoded the Book of Revelation and discovered that the Antichrist will be born in Madrid on Christmas Eve, 1995. Convinced that committing evil acts will help him commune with Satan and locate the child, Ángel does his best to descend into moral chaos, with hilariously mixed results.

HOUSE OF 1000 CORPSES, DEVIL'S REJECTS & 3 FROM HELL: Rob Zombie’s Firefly Trilogy

HOUSE OF 1000 CORPSES (2003) d. Rob Zombie (USA)
THE DEVIL'S REJECTS (2005) d. Rob Zombie (USA)
3 FROM HELL (2019) d. Rob Zombie (USA)

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Tonight we’re discussing writer/director Rob Zombie and his most beloved onscreen creation: The Firefly Family Trilogy, one of the most controversial and influential horror sagas of the 2000s. From the grindhouse chaos of House of 1000 Corpses (2003) to the brutal outlaw horror of The Devil’s Rejects (2005), and the divisive return of the Fireflies in 3 From Hell (2019).

35 Years of JACOB'S LADDER (1990): The Meaning Behind the Madness

JACOB'S LADDER (1990) d. Adrian Lyne (USA)

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Jacob’s Ladder follows Vietnam veteran Jacob Singer (Tim Robbins), who begins experiencing terrifying hallucinations and fragmented memories years after returning home from combat. As his visions intensify, Jacob uncovers hints of a possible government experiment linked to his unit. Reconnecting with his surviving comrades, his search for answers forces him to confront the trauma of his past, struggling to maintain stability and sanity in a world that seems to be crumbling around him.

THE REFLECTING SKIN, BABY BLOOD, & SINGAPORE SLING: Forgotten Horror Gems of 1990

THE REFLECTING SKIN (1990) d. Philip Ridley (UK)
BABY BLOOD (1990) d. Alain Robak (France)
SINGAPORE SLING (1990) d. Nikos Nikolaidis (Greece)

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After the excesses of the 1980s, the horror genre struggled to redefine itself, leaving the door open for a handful of international auteurs to collectively veer off the well-lit path, and plunge into something stranger, darker, and defiantly uncommercial. The year was 1990, and the filmmakers in question were less interested in cheap thrills and more committed to unsettling viewers on a deeper, more lingering level. Tonight, we’re celebrating the 35th anniversary of three such releases, Baby Blood, The Reflecting Skin, and Singapore Sling, movies that remain essential viewing for the modern horror fan who craves something bold, transgressive, and artfully off-kilter.