Dark Shadows (2012) d. Burton, Tim
Hands down the most mismarketed movie of 2012. I freely admit that, based on the “Man, weren’t the 70s kerrrr-aaaaazy?” trailer that Warner Bros. was using the push Burton’s latest Johnny Depp lovefest, I was already dialed in to hate this sucker right down to the ground, and I’m not even on intimate terms with the source material. (Even though Dan Curtis cult television incarnation had monsters in it, my six-year-old spidey senses still knew it was a soap opera.) The truth is that while there are a fair share of groaners (hidden passages revealing rooms filled with macramé, endless 70s musical references incorrectly assessed as inherently funny), the tale of Depp’s revived Barnabas Collins and his reintegration into society after 200 years of vampiric slumber is an energetic, elevated comedy that, for the most part, works. Sure, Burton allows his star to occasionally overindulge in supercilious line readings and it’s hard to believe the classy Collins clan would indulge in the decade’s tackier décor – in short, when Burton goes for the cheap laugh, the movie falls flat. But when he and his A-list ensemble (which includes Michelle Pfeiffer, Helena Bonham Carter, Eva Green, Jonny Lee Miller and Chloe Marie Grace) stay within the exaggerated fantastic lines drawn, the results are surprisingly satisfying.
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