Iron Sky (2012) (1st viewing) d. Vuorensola, Timo (Finland)
Where did the Nazis go in 1945? To the moon, of course. Appro po of this deliriously energetic sci-fi comedy, little time is wasted on explanations or justifications and that is absolutely as it should be. Given circumstances, as insane as they might be, as accepted wholeheartedly, thanks to the conviction of the performances and the handsome production design, all marshaled by director Vuorensola’s giddy pace throughout. A lot of comedy is derived from political satire (such as the Sarah Palin-like U.S. President’s desperate angling for re-election), as well as a healthy absurdist stripe throughout, the most prominent running gag being Christopher Kirby’s African American astronaut-turned-Aryan homeless guy. It’s silly, it’s clever, it looks great, and even if it isn’t funny all of the time, the darn thing moves. Also notable for the fact that of its 7 million Euro budget, 1 million came directly from interested and invested fans themselves, easily one of the biggest consumer-based funding efforts in history and every penny of it appears onscreen with superb visual effects and art direction.
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